Elise Lhomeau

Kole 2022-01-06 08:02:28

(Published in "Scars of Light and Shadow", Film Workshop 2012, Peking University Press)

Use the words of a report in the famous British film magazine "Vision and Hearing" to describe "Sacred Cars": this is undoubtedly the best in 2012 "Controversial" nature of the film. Although at the Cannes Film...

Josue 2022-01-06 08:02:28

(one)

In terms of the play and the expression of the play, the reconstruction of the genre in "Sacred Cars" is easy to identify. However, when we pay attention to the significance of the integration of genres for the transformation of Assayas and Kiyoshi Kurosawa’s creation, we pay more attention...

Francisca 2022-04-20 09:02:10

Extreme irony, the more you discuss, the more confused you become - will this be the norm in life? Oscar is an actor who is immersed in disguising different skins every day to prove himself, but the more different roles he has, the more confused he is who is he and who he is. Reminds me of "Becoming John Malkovich" How can I find my true self when the body and soul are inconsistent? The composition of the cinematography is perfect as a textbook, and the soundtrack is also full marks. However, it is a bit too ingenious to express yourself through songs in the end. The soul is only 21 grams, so it is better to classify it as a movie like life. It is better to be pure like the last chimpanzee I want to express the meaning of returning to the source.

Monica 2022-03-20 09:02:14

A/ If the narrative does not start with "real" or "realistic", where should we begin to capture the emotional flow of the characters? This is the difference between the film and the general meta-film self-reflection, and it is also its thoroughness-even in the accidental encounter of "real people", what we see is still the cold embedding or folding of the real and the fake inorganic matter, rather than any arrogant promise of truth. It is also in the intersection of this imaginary streamline that has nowhere to go, the eyes of the audience are deprived step by step to nakedness, and finally a direct communication between inhumans and machines is achieved; at the same time, the movement in the image no longer belongs to The subject of something—the virtual image of the thing is only a tiny fold in motion. Hesitating, joking or pessimistic stances just re-finished the confirmation of the film, that all confusion, death and even nothingness are rebirth.