-
Sasha 2022-03-29 09:01:02
Praise me, mom - "Fox Hunter"
John has a dead face from start to finish, including when I saw Mark say he likes wrestling at the beginning, and used the word DEEP LOVE, but I couldn't capture the love for this sport from his facial expressions. Love. I thought, well, maybe he's a cool rich guy. But later I verified that my idea...
-
Ransom 2022-03-24 09:01:43
Wayward Rich People + Wayward Pets
This is actually not a sports theme. Although "Magic Ball" is a little cold, it is always a sports theme, and the battles on and off the field are still exciting. The content of this wrestling should only be a big supporting role, it is just a carrier of DuPont's arrogant wealthy director. Of...
Eliot Preschutti
-
Shana 2022-04-02 09:01:02
The director, Bennett Miller, is actually a very good storyteller, although this time he brought the story behind a dull competitive sports. The selection is successful, the perspective is clear and unique, and the other two male protagonists are brought out by the third person. There is almost no previous introduction, the silence of the blockbuster and the occasional dialogue, rendering the psychological changes of the characters. The film can be used as a psychological case study.
-
Aliza 2022-03-31 09:01:03
The theme of wrestling is to prepare for the Olympics and to win awards, but it is not a passionate and inspirational shooting method, and it is full of strange handling. When the brother played by Mark Ruffalo intervenes in a triangular relationship, the emotional development becomes particularly abnormal. The audience mostly relies on their own brains to fill in the reasons for the turning point of the contradiction. The logic line of the film itself is not particularly sufficient. And the film adaptation and real events are quite different. Whether you want to restore history or attach another theme, there is a problem of distortion.
Related articles
-
[Dave feels uneasy and struggles on filming his scene on who John du Pont is]
Documentary Director: Let's get pointed here.
David Schultz: What are you looking for?
Documentary Director: I think you know what we're trying to accomplish here. We're making a documentary that shows John is gonna be able to lead this team and lead you to levels of greatness in the world of wrestling that we haven't seen before. And, talk about that, but use some of those terms that he likes like excellent and intensity and validation.
David Schultz: [laughs to himself] All right. Well, John du Pont... Say that again? I'm sorry. Can you ask me that question again?
Documentary Director: John see's you as important to this. You're the closing chapter to this thing. You're the end of it, and you're the assistant coach. He see's himself as your mentor. I would like you to just look at the camera and just speak about John... as a mentor.
David Schultz: And say what exactly?
Documentary Director: That he's your mentor. Can you do that?
David Schultz: John du Pont... is kind of a mentor to me.
Documentary Director: Just look over here at the camera and say it again.
David Schultz: [Dave clears his throat, smiles, and answers without emotion] John du Pont is a mentor to me.
-
[John du Pont drives up to see Dave Schultz, makes a stop, backs up his car, drives forward and parks up beside Dave]
David Schultz: Hey John, What's happening? Hey Whoa!
Wayne Kendall: [from Wayne in the passenger of Mr. du Pont's vehicle] No.
John du Pont: You got a problem with me?
Wayne Kendall: John. Don't, John!
David Schultz: No, John, I don't have a problem. Hey... John -
[gunshot from du Pont]
David Schultz: Argh!
Wayne Kendall: [Wayne leaps out of du Pont's vehicle] John, No! Stop, John. Stop!
[Dave tries crawling away on the ground, grunting]
Nancy Schultz: [Nancy Schultz runs out the front door and screams] John, no!
[another gunshot is fired at Dave Schultz]
Nancy Schultz: [Nancy runs back into the house when she see's Mr. du Pont aim the gun up towards her]
[Dave grunts continuing to try and crawl away]
Nancy Schultz: [final gunshot to Dave Schultz ending with a final scream, Mr. du Pont calmly drives away as Nancy holds onto her dead husband laying in the snow]
