Eduardo Valdarnini

Donato 2022-03-05 08:02:53

The original text was published in the February issue of "Watching Movies", please indicate when reprinting.

"Christ, or a devil? A saint, or a robber? He is a man. A man of one enemy, a brilliant antagonist, an absolute rebel. Despite his fame, he has always been a perpetual fringe, yes A hero...

Jacklyn 2022-03-05 08:02:53

Abel Ferrara’s long-gestated biopic of Pier Paolo Pasolini has its congenital defect, by cast Willem Dafoe (albeit his striking physical resemblance) as the maestro, hence, the prominent anglophone dialog is rightly incongruous with its milieu and becomes more problematic because the rest Italian...

Alex 2022-04-22 07:01:54

After weighing the two factors, I went to the cinema to watch it. In fact, I went there for Willem Dafoe and Pasolini, and I was not disappointed. Of course, what was more surprising was the fact that William exchanged the three languages, but Pasolini in front of him still felt strange when he opened his mouth in English, but under his look, let's ignore it for the time being. His method of death has been criticized a lot, but the awesome soundtrack is still overflowing with the director's sincere admiration for Pasolini.

Eryn 2022-04-23 07:05:04

6/10. Ferrara kept the last days of the controversial guru conservative, covering his notes, answering reporters' questions, attending cocktail parties of cultural celebrities, listening to politics, and mixing in some of the surrealism of Pasolini's posthumous manuscript. The scene (a city where heterosexual mating is held for the purpose of procreation), does not want to disclose the mystery of his death and the unknown privacy, but unfortunately the latter is what will really excite the audience, not the feeling of watching an interview documentary like now.