Dominique Pinon

Dominique Pinon

  • Born: 1955-3-4
  • Birthplace: Saumur, Loire, Maine, France
  • Height: 5' 5" (1.65 m)
  • Profession: actor
  • Nationality: France
  • Representative Works: Amelie, The Young and Prodigious Spivet
  • Dominique Jean-Claude Pinon is a French actor born in Saumur, France in 1955. He has performed in films such as " Amelie " and " The Young and Prodigious Spivet ". [1] 

    Performing Experience

    In 1981, he starred in the film "The Opera Red Actress" directed by Jean-Jacques Benéx. Since then, he has played roles in many French films such as "Amelie" and "Murphy's Law".
    Extended Reading
    • Wilbert 2022-03-17 08:01:01

      One of my film enlightenment works

      What exactly is the "New Baroque" style? I've never been able to figure it out, and it's probably just a rhetoric that lazy film critics use to sum up the aesthetic style of French cinema that flourished in the early 1980s. In fact, in the early 1980s, there were indeed three directors with unique...

    • Raven 2022-03-17 08:01:01

      The pioneering work of the author's film in the 1980s

      This film is one of the most famous works of the famous French director Benex, and one of the most famous French films of the 1980s.

      Benex tells a thrilling story in a slightly black tone, but the film has broken away from the genre mode of traditional gangster thrillers and entered a new style of...

    • Rhett 2022-03-17 08:01:01

      The aria of this opera is so beautiful, it is very touching, I can't like it. The detective's death at the end was hilarious.

    • Ryder 2022-03-17 08:01:01

      Audio-visually comparable to Blade Runner films, especially the use of colors (red and blue background light against yellow and white background) and filters (mainly a few exterior scenes such as lighthouses) did everything possible to create a strong artificial texture with Vietnamese girls Clothes, G's minimalist art style studio, the man's old garage remodeled residence, abandoned factories, etc. to build a psychedelic underground Paris. At the same time, in contrast to this, a tourist-style Paris on the ground is established as the location of the heroine's opera - what the hero yearns for elegant world. Space is highly sensually constructed by objects imprinted with characters. The car chase scene in the subway is very powerful. The processing of story sounds that are shuttled across layers to non-story sounds is quite interesting, but the resulting sticky tonality, some exaggerated reflection shots, and exaggerated unnecessary plots (such as fried taxi drivers) are too much for texture. In all respects, it is the ancestor of cine du look, especially Besson and Carax, but it is not quite the same as Genet's fast-paced eccentricity; mysterious G has also become a typical character of this type of film

    Related articles

    Diva quotes

    • [Last Lines]

      Jules: It's the only recording.

      Cynthia Hawkins: It was you?

      Jules: It's yours. It's my gift to you. Forgive me.

      Cynthia Hawkins: But... I've never heard myself sing!

      Jules: Listen...

    • Cynthia Hawkins: Do you steal the dresses of all singers?

      Jules: No, no.

      Cynthia Hawkins: So, I'M the lucky one! I have a fan?

      Jules: I heard you in Bordeaux. And last year I went to Munich specially for the concert.

      Cynthia Hawkins: You made the trip for me?

      Jules: Yes, on the moped.

      Cynthia Hawkins: On the moped. So, you ARE a real fan.