Diouc Koma

Assunta 2022-04-21 09:02:13

Throw away the so-called profound thesis and don't think about it. You can see the hint just from the title. This is a photographic work about seeing and being seen. The candid camera hidden in the plot is actually intentionally replaced by a public/audience gaze in the end. The audience is...

Assunta 2022-04-21 09:02:13

After watching the movie, there was an unexplained fear in my heart, and my heart was beating in a panic. It could only be relieved by panting like the hero George in the movie had a nightmare. I find it odd because this is not a horror movie. Maybe the scene of Maggie's suicide is too realistic,...

Deshaun 2022-03-24 09:01:57

1. In the name of "Hidden", Haneke deeply exposes the suspicion and distrust between people, and the estrangement and conflict between Algeria's past and race/class also appear and disappear from time to time. 2. In addition to the zero soundtrack and the use of off-screen sounds, Haneke-style long shots (that is, fixed wide-angle long shots, with many characters in the painting, and the audience must find the protagonist and focus on their own) are also repeated many times, especially at the end 4 minutes long mirror is the most. 3. The shooting rules of the dialogue scenes accurately demonstrate the relationship between the characters: from long shots to over-the-shoulder hits and then to completely separate hits, the closeness and mutual trust of the characters gradually decrease. 4. The source of the videotape remains a mystery in the end, like a joke of God testing human nature. The protagonist's status as a TV host also inspires the audience to think more about the ontology of images. 5. The scenes interspersed with several dreams are terrifying, and the decisive killing of the chicken and the sudden throat cutting are even more chilling. 6. I thought it was better than [white ribbon]. (8.8/10)

Keenan 2022-03-26 09:01:06

I don't know what to say about the protagonist's incarnation as a French white representative. Faced with the question of 'I just want to know how you feel after killing someone' It's hard to say what kind of role (I even have an idea: did the male lead have a philosophical story with the suicidal boy when he was a child, so it is not convenient to tell the female lead and is afraid of affecting his own public image) This kind of individual and group problem seems very The blood in the embarrassing film is actually not shocking. Haneke may be hoping that this sudden throat cutting will leave a deep memory in the audience's experience and become a kind of ghost, but in fact, it may not work at all because this kind of throat cutting is too Too fictitious (because no reason or reason is far-fetched) to have any effect. The film's use of surveillance tapes has a bit of an electronic image and haunting discussion, but it's ambiguous and not as direct as his own funny game or midnight bell. overall feeling bad