Dieter Berner

Lane 2022-03-16 08:01:01

Unfortunately, this film well exposes the problems of Brecht's interval theory being subjectively interpreted and given to actual execution. The shady interval brings incalculable emotional alienation, which makes the film take form as its ontology for granted. However, the excessive dismemberment...

Kasey 2022-03-16 08:01:01

The film starts with a car wash in a car wash, and then is divided into three parts according to the year: 1987, 1988, and 1989, basically repeating the family life of three people, getting up, washing, feeding the fish, and the wife writing a letter to the parents-in-law to introduce the current...

Jaunita 2022-03-25 09:01:23

3- After watching so many boring films, I was hypnotized twice by this one. Become a middle-class mourner. Repeated car washing, eating, silhouette, magnified, blurred close-up of the protagonist. Absent communication, warmth and breakthrough. It is similar to Fassbender's "Why Mr. R Kills Crazy", but the observability and reflection ability are inferior. Fast forward the second half. The snowflake screen flashes and flashes, and the shopping cart turns and turns. The materialization and loss I want to say are too obvious.

Evangeline 2022-03-17 09:01:10

The first of Haneke's "Glacier Trilogy", icy and brutal. 1. Mainly with fixed shots, a lot of restrictive composition, close-ups of objects and limbs are inherited from Bresson. In this film, the materialization of people is more loaded, personality and emotion have long been lost, only the mechanical , repetitive actions. 2. The three-stage style (1987-89), the first two sections are very similar, and the monotonous picture of daily life is also testing the audience's patience. 3. The boring news broadcasts on radio and TV and the emotionless narration reading letters (multiple audio and video separations) run through the first two paragraphs, and together with the black screen transitions, they reinforce the sense of triviality and boredom. 4. Merely grim presentation without explanation or motivation (like the tears of the hostess and the hostess at the dinner table and in the car). 5. Two long car wash scenes, I still think about [unexpected spring], the closed car seems to vaguely herald future death. 6. The scenes of destruction and self-destruction are shocking and touching the bottom line: tearing clothes buttons, pulling curtains, cutting sweaters, folding records, destroying furniture, smashing clocks, breaking fish tanks, and flushing money down the toilet... Break out of the material world. (9.5/10)