-
Isac 2022-01-12 08:01:29
Impressionist painting "The Woman Who Makes Promises to Lovers in the Palace"
Outdoor sketching last year
1. Photography
Every time I press the shutter, I'm actually deciding what to paint. I take out the camera and start capturing the lens, looking for different angles. Facing such a palace-style hotel, I first captured the impression of its pure outline in the...
-
Sterling 2022-04-22 07:01:45
Experience the maze of movies
A fine art film directed by Alain Resnais, the story seems to be about extramarital affairs, but the theme points to a labyrinth of life, a labyrinth of feelings, and a labyrinth of life. Its most admired is the spiral narrative structure.
In addition to the many superb camera performances, I was...
Delphine Seyrig
-
Sigrid 2022-03-16 09:01:06
Exquisite hotel, abstract garden. The pipe organ alternates between reality and illusion from beginning to end. We never wanted to compromise the film with any clear meaning. We always hope that it is a little ambiguous. I don’t understand why the reality is complicated. Things become clear when they arrive on the screen. ——Alan Renai
-
Rigoberto 2022-03-22 09:02:28
It also belongs to the most pioneering echelon in the group portrait of the new wave works. After reading it, I feel that "Hiroshima Love" is really easy to understand by comparison. Stream-of-consciousness movies, with non-stop narration, cut space and time in an absolutely unconventional way, expressing the alienation of modern people's minds. Whether it is the solidification of the performance, or the extremely fast flashback or repetition of the camera lens, the lingering entanglement of that affection is vividly expressed. In the world of ideas, time is not only non-linear, but also viscous and broken, compressible and stretchable. What impressed me the most was the game theory game in the film, and I will play it with my friends at the next party. #BJIFF9#
Related articles
-
X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.
A: I have never stayed so long anywhere.
X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?
A: You're raving! I'm tired, leave me alone!
-
X: [Last Lines] The grounds of the hotel were symmetrically arranged, without trees or flowers, or plants of any kind. The gravel, the stone, and the marble were spread in strict array in unmysterious shapes. At first sight, it seemed impossible to lose your way. At first sight... Along these stone paths and amidst these statues, where you were already losing your way forever in the still night, alone with me.
