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Zena 2022-04-21 09:03:01
Front and back of Marienbad
The first time I saw this movie was really confusing. I don’t know where the story started to break, and then the audience had to be at the mercy of director Alain Resnais, watching the film in confusion, suspicion and anxiety.
This film basically takes the form of dialogue between the male and...
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Brennan 2022-03-26 09:01:10
Viewing Movies from the Perspective of Surrealist Poetry
40:48 ——The metaphor of the scene, the metaphor of the scene is realized with the help of the repetition of actions between the "garden" and the "hotel", the replacement of characters, and the sharing of vocabulary, the overlapping of "hotel" and "garden". Images concretize words, that is to...
Delphine Seyrig
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X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.
A: I have never stayed so long anywhere.
X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?
A: You're raving! I'm tired, leave me alone!
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X: [Last Lines] The grounds of the hotel were symmetrically arranged, without trees or flowers, or plants of any kind. The gravel, the stone, and the marble were spread in strict array in unmysterious shapes. At first sight, it seemed impossible to lose your way. At first sight... Along these stone paths and amidst these statues, where you were already losing your way forever in the still night, alone with me.
