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Alexys 2022-03-15 08:01:01
New York New York, one hundred years
Martin Scorsese told us in New York in 1880 that in the age of innocence, true love has only one end: a lifetime of seeing each other but not being together.
Martin Sixes told us in New York in 1980 that in New York and New York, true love has only one ending: marriage and then divorce, but you can... -
Freddie 2022-03-15 08:01:01
The Sad Love Story of a Popular Singer
In the 160-plus minutes of the film, I didn't feel at all lengthy, and it was already early morning, and Jimmy's melancholy saxophone was still ringing in my ears. I have some doubts if Jimmy really has this person in the JAZZ music scene. In that studio chart I clearly see that Jimmy's music is...
David Nichols
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Jamir 2022-03-15 09:01:11
The saxophone player fell in love with the little singer in the nightclub, and at first sight decided to cooperate with the road show, but many disagreements could only be arguing and breaking up inexplicably. Years later, the singer has become a big star, and the musician has his own tavern. The two smiled at each other at the party after their success, and there was a bitterness of life in their eyes - not La La Land. Hey, the two didn't call, and De Niro's character was extremely irritable and irritable. I can only listen to Liza sing
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Frank 2022-03-24 09:03:48
Whether Robert De Niro's self-destructive tendencies come from his thirst for romance or his fear of failure, whether it is his clinging to the id or a curse imposed by the outside world, Martin refused to answer. What he is fascinated by is to build a gorgeous stage in which the cruel reality of the negative situation is constantly repeated like a ghost hitting a wall, and the flowers are applauding together, but it is always fleeting like a bubble. The director tried to deal with the studio show with the open mind of the outside scene. The large-scale scheduling transitions and the free movement trajectory of the camera lens kept the film as elegant and smooth as jazz.
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Francine Evans: All right, you're upset because I didn't come to you in person and say good-bye, right?
Jimmy Doyle: Right! Which brings up another thing, you don't say good-bye to me, I say good-bye to you. In no way, shape, or form do you say good-bye to me. I say good-bye to you.
Francine Evans: Oh. Fine! Go ahead and say it.
Jimmy Doyle: Say what?
Francine Evans: Say good-bye. Go ahead.
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Jimmy Doyle: Didn't you understand when I said "major chord" that I meant it about you?
