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Uriah 2022-04-10 09:01:09
girl waiting for love
The confrontation between the two old British actors, the plain story is also unforgettable. Looking at the ocean, playing with flowers and plants, this is the old life of two old girls. Suddenly one day, a young man broke into their peaceful life, which made her heart surge and a love that could...
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Adolfo 2022-04-08 08:01:02
The essence of the relationship between people is reciprocity
The female painter is very attractive. Even if she is rude and arrogant, she can create more value for Andrew, and Andrew chose to go with her.
Ursula's mind is simple and interesting, and she has a life-saving grace for Andrew, but she can't continue to give Andrew any value, so Andrew left.
The...
Daniel Brühl
Performing Experience
Character Evaluation
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Maribel 2022-04-08 08:01:02
·The title translation is awkward. ·I want to quit prime recently (I really don't want to), so I use this film as a temporary stop. ·British tenacity and melancholy, like dank air, heavy, pressing on the heart, but not affecting breathing. · The interpretation of the two ladies is subtle and precise, touching, and it is a fascinating enjoyment.
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Cassandra 2022-04-14 09:01:07
Ladies, the fate of an old father, an old mother and a child, he will leave the stage when he grows his wings. Ursula's scene of looking at Andrea playing the piano is too delicate and too complicated. The sound of the piano turned into a subjective voice, and she was in a daze for a short time. After the magic moment and the seaside boy leaning on her lap I thought at first he looked like the person she liked when she was a girl, but the way to success in the end was too sloppy. Although he is old, he has money and leisure. Obviously, it is impossible. On the contrary, it is cleaner and purer. The small observation deck by the sea is a fairy tale. The embellishment of the two self-talking old people is also very good.
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[they have finished dinner, still waiting for Andrea to return]
Janet Widdington: I'm going to phone Pendered.
Ursula Widdington: All right.
Janet Widdington: [Janet goes to the phone] Trevannic 412, please, Mrs. Pengelley... Hello? Mr. Pendered?... Yeah, it's - it's Janet Widdington... Yeah, well - hello... Yes, we're rather worried about Andrea. We were expecting him for supper. And we...
[her face falls as she listens]
Janet Widdington: Oh, I - oh, I see... No, no - we didn't know... Yes... Well, thank you.
[she hangs up]
Ursula Widdington: Janet, what's happened?
Janet Widdington: They've gone.
Ursula Widdington: What do you mean?
Janet Widdington: I mean, Andrea's gone. With that woman.
Ursula Widdington: I don't understand.
Janet Widdington: Andrea and the Danilof woman were seen getting on the train to London.
Ursula Widdington: [Ursula begins to cry] Oh, Jan- Oh, Janet! No. Oh, Janet. No, oh no!
Janet Widdington: Don't, Ursula.
Ursula Widdington: Oh no...
Janet Widdington: Ursula.
Ursula Widdington: [Ursula sobs harder, her face in her hands] Janet!
Janet Widdington: Oh don't!
[she hugs Ursula, who clings to her and cries harder]
Ursula Widdington: Janet, Janet!
Janet Widdington: Don't. You mustn't, Ursula. No, you mustn't. Please!
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[Dorcas stuffs a chicken while Janet listens to the radio in the next room and Andrea practices upstairs. Janet turns off the radio and comes into the kitchen]
Janet Widdington: Doesn't sound good. I can't listen anymore.
Dorcas: Don't know how you can stand it. Sounds like a strangled cat.
Janet Widdington: I meant the news!
Dorcas: Oh, right.
Janet Widdington: Do we have any parsnips?
Dorcas: Bit early for parsnips. Plenty of spuds, though.
Janet Widdington: Well, we shall have to have extra spuds. Potatoes.
