Cynthia Martinez

Daphney 2022-03-15 09:01:10

Lots of flaws, but impressive. Yes, as a horror movie, he! ! ! No! ! often! ! lose! ! defeat! ! Not scary at all! ! ! I cried. . . I watched a horror movie and cried a roll of tissues? ? ? ? ? ? ? ? All in all, I recommend watching it, but don't watch it as a horror movie. Spoilers involved

Aniyah 2022-02-07 14:53:44

The first half of the film basically maintains the general routine of a horror film - creating a terrifying atmosphere, and when the mother sees the real Yuzi coming out of the room, the background music suddenly changes from the previous horror and thriller to a sad one, and the film also changes....

Kristy 2022-03-21 09:03:17

When you see signs of water stains on the roof, you will think of this~

Jadon 2022-03-25 09:01:22

The camera turns into the eye of a specter, and the deliberately blocked positioning of the foreground and the slightly shaking follow-up create a ubiquitous sense of voyeurism. Psychological pressure accumulated in the continuous shots, and finally the "mystery" was revealed with a large panning shot. I like the handling of the mother and daughter taking the elevator the most. The floor switching is completed in one shot, which creates a strong sense of dislocation in the space. This sense of dislocation overlaps the "Ikuko's house" and "Mitsuko's house", implying the similar fate of the two families. , and also symbolizes the further invasion of the "Haunted House" in the plot. This film is actually a female film. Water (rain) acts as the medium of memory, connecting the childhood shadows shared by the three women. The physical level is expressed as "water seepage", and the ghostly red schoolbag - the shadow always infests The fragile family space of a mother-daughter duo. The reason for this is a series of social realities such as housewives and motherhood punishment. Mitsuko's victory is a warning that bridging the shadows may come at a higher price.