Chunibala Devi

Timothy 2022-01-12 08:01:15

Very awesome, very advanced. I thought it would be over until the depth of capital's infringement on the small peasant economy (Gandhi should like Rey and his classic spinning wheel portrait) It was over only in that era itself, but I didn’t expect it to be insinuated to the current thunder....

Elroy 2022-01-12 08:01:15

"Song of the Earth" is the first part of Indian director Satyajit Rey's "Arp Trilogy". The film uses realism to tell the story of an ordinary rural family struggling in poverty. The film deeply moved me, and at the same time completely changed my inherent impression of Indian films.

The poverty of...

Archibald 2022-03-18 09:01:05

SIFF* peace. The things that happen on the land have the same sympathy, birth, old age, sickness and death, poverty and evil, the father who is outside, the home of hard work, the thin cow and the weak dog, the clear eyes, a path leads to the outside world, and some gods place good wishes. Rey shoots plainly, letting reality flow like tears of gods. Unbelievably, it was the first time the photographer Mitra took the shot. The camera brought curiosity, or eroticism, to include the scene of the countryside: reflections of lotus ponds, ripples on the water surface, sweet rain like oil, and storms. My sister was kicked out of the house, but through the hole in the wall, I could see both ends of the mother and daughter. The two brothers and sisters watched the train, the shadow of the cloud moved across the rice field, and then the white reeds. Modern objects rarely appeared in front: trains, electric wires and the "Delhi" diorama were all partially passing by, and the "world" was right. They are just a few scattered symbols and impressions, but they inspire the overall dream and action. Sitar is melodious, a song of little road, a song going on

Vincent 2022-03-25 09:01:15

7/10. The sympathy comes from Rey's innuendo to the Indians who abide by the tradition and don't make progress. The face of her aunt's kindness is likened to the silhouette on the wall of the gods. She can see through the situation and sing traditional songs in the night wind. The incident of the house being devastated by the wind forced the impoverished Indian family to give up sticking to the tradition. At the end, following the oil lamp at the bottom of the ox cart, the family moved out of the primitive jungle. In the empty mirror, a snake slid through the withered ancestral house, showing The irreparable regrets of childhood. Natural images continue to interpret the meaning of beauty: when the mother brushes her hair while watching her sister punish her for cleaning the yard, her sister’s upper body is deeply bent and close to the ground in a dance-like posture, the cats and dogs play under the eaves, and the aunt smiles and pours the leftover water on the weeds in the corner of the wall , the simple image eliminates the suffering of the elder sister being punished; the big vision in the opening chapter, the elder sister who stole the orchard hides beside the roots of the tree, and the walking posture of the fruit on the mother's head complements the mottled tree shadow; The winding paths, the reflections of the river, and the peddlers followed; the mysterious sound of the train attracts the brothers and sisters to look across the reeds and the railroad tracks, echoing in the quiet night when the elder sister passed away, forming a beautiful life experience.