Christopher Swindle

Christopher Swindle

  • Born: 1971-12-27
  • Height:
  • Extended Reading
    • Kiera 2022-04-21 09:03:02

      short comment

      The university graduation thesis wrote "The Effect of Alienation", but now I am discussing this kind of film with the effect of alienation. Wouldn't it be nice to tell the story well, I have to find two people as witnesses at the scene, I really can't get involved in the plot, but this is another...

    • Onie 2022-01-12 08:02:14

      Postmodern Romance: A key that can be opened without a lock

      *Reposting old texts From the perspective of storytelling, this is an atypical post-modern version of the "Holy Grail" story. The girl Chiyoko accidentally rescued a wounded man (underground worker?) in a snowy day. ), the man pursued by the police gave a key to Chiyoko for safekeeping on the...

    • Herminia 2022-03-29 09:01:07

      "Anyway, what I really love is chasing his journey." I've always been taught to face reality, and how wonderful it is to have someone in the world to sink into forever. When false is true, true is false, and when true is false, false is true.

    • Gail 2022-03-23 09:02:52

      "Thousands" has a metaphor on the level of Sterling's performance principles. It enters the text space through media replacement to complete the narrative, similar to Bergman's introspection, but it is not simply about film history or the director's personal self-referentiality. Chiyoko and her female identity are constructed metaphors. "Film" and "Studio" imitate and externalize their inner state. Through psychological self-examination, a more macro-level writing of Japan and Japanese women-national living conditions is completed.

    Millennium Actress quotes

    • Genya Tachibana: [Dressed and acting like a wandering medieval samurai] I always think that I would die for the woman I love.

      Kyoji Ida: Maybe I will shoot him

    • Kyoji Ida: [Noticing that time and location have changed] Now we are in Kyoto! This is going faster than bullet train! This is the Edo period

      Genya Tachibana: [appears visibly battered and badly wounded] Hey, Where is Chiyoko?

      Kyoji Ida: Aren't you going to change clothes for this age?