Christine Kaufmann

Johanna 2022-01-22 08:02:12

What Fassbender gave was a non-final ending. He left Eva and Stiller in a room where the world outside the window was invisible. In this isolated space, Stiller seemed to get rid of the mirror style. Confused, he said "I am, I am". The Hollywood movie "The Hacker in Different Dimensions", adapted...

Bailee 2022-01-22 08:02:12

A technological story with no sense of technology. The viewfinder is an ordinary office. The only thing that looks more high-tech is the TV screen and something similar to a VR helmet. The film tells a triple world, the main line is to describe the protagonist in the middle world awakening,...

Carmela 2022-04-24 07:01:23

Although it is to create an artistic conception, the rhythm is still slightly delayed. Except for this and the inevitable hardware weakness due to age constraints, everything else is awesome!

Pasquale 2022-04-21 09:03:16

Rainer Werner Fassbender's career is one of the marvels of modern cinema—and one of cinematic history as a whole—but it's hard to just base the digital copies of a handful of his films and the relatively rare screenings of his work on it. (A full retrospective is required, but it will take a considerable amount of time - he made 41 films in fifteen years plus a fifteen-hour miniseries "Berlin Alexanderplatz", and in 1982 at age 37 died). He didn't reorganize film elements like his prolific immediate predecessor Jean-Luc Godard, but he delved into the world of his time. Like his 1973 sci-fi thriller World Online, the film is only now premiering in the United States. This belated screening deserves a celebration and a serious head shake: Where has it been all these years? Fassbender's brilliant satire presents the future with high-gloss '70s kitsch (Plexiglas and mirrors, lacquered wood and chrome) and ubiquitous video screens like his panoramic zooms, panning Lenses, tracking lenses are as easy to reflect, distort and replicate as a shock cut