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Kianna 2022-01-01 08:02:08
Racial issues are forbidden in Hollywood war movies
As a Chinese, Lao Wu made this movie before he could understand the profound contradictions of American race. No wonder it will become his personal Waterloo work.
Think of another similar story, the 442 Infantry Regiment of the United States during World War II. After the Pearl Harbor incident, the... -
Cyrus 2022-01-01 08:02:08
The fiasco of violent aesthetics
The investment of nearly 200 million U.S. dollars caused the company to go bankrupt. Isn't this the US version of "A Fei Zheng Chuan"?
To tell the truth, I may have a stereotype of Wu Yusen. I didn't think this movie was very good. Especially after watching war movies like Schindler's List and The...
Chris Devlin
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Letha 2022-01-01 08:02:08
Unexpectedly, Wu Yusen can still make a film
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Myles 2022-01-01 08:02:08
Cage always seems to be a type of Hollywood men: bald head, drunken eyes from time to time scorching light; on the one hand is sinking, decadent, confused, spiritually different in life; on the other side is superior skill, wisdom and courage Zall, invincible. Whether it is a liar or a soldier, he represents a tendency of men: the beauty of decadence.
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Ben Yahzee: Hey do you guys know where we would find second joint assualt singnal?
Marine: No fuckin' idea mac.
Ben Yahzee: Thanks, thanks a bunch.
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Charlie Whitehorse: [in Navajo] I've never seen so many white men.
Ben Yahzee: Oh, they've never seen so many Navajos before.
Ben Yahzee: Enders, I can't find Whitehorse anywhere. Have you seen him?
Joe Enders: He's over there.
Ben Yahzee: [he sees his friend dead, blown up by a grenade with other Japanese soldiers] This was suppose to be a secured area, what happened?
Joe Enders: I killed him.
Ben Yahzee: You what?
Joe Enders: I took a grenade, threw it in there and blew him up.
