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Amara 2022-01-12 08:01:24
Don't mess around with photos
The impression of Louis Mahler stays in "Seriously Wounded in Love", stays in the extremely fierce character, and the resulting fatalistic tragic meaning. As his feature film debut, this film is known as the forerunner of the French New Wave. It uses black and white images to interpret a story that...
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Verdie 2022-01-12 08:01:24
"The Elevator to the Gallows": Paratroopers are angels
Original address: http://www.qh505.com/blog/post/5372.html
When the film in the miniature camera was washed out in the developer solution, all the secrets were revealed: it was not Julian who was with the German Becca and his wife, so it was Louis who killed the German with a pistol; he died in the...

Charles Denner
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Tianna 2022-03-23 09:02:48
Filmed along the lines of film noir, the simple and direct audio-visual style of Louis Miller's virgin role is supplemented by Hitchcock-style suspense, so that the hero and heroine never meet. The elevator of the male protagonist previews his future prison. The main character is lost in the streets of Paris, and the latter's psychological drama has greatly changed the style of the genre. However, the third line of the young couple is empty and lacking in spirit, almost reduced to a purely functional paragraph, which is somewhat regrettable.
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Jennie 2022-03-25 09:01:15
8.3/10. ①The wife colluded with her lover to murder her husband. This was supposed to be a murder case that left no trace, but due to the accident on the day of the crime, both of them were eventually arrested and imprisoned. ②Noir cinematography (composition/low-key lighting) is of high level, with strong audio-visual narrative (rather than line narrative) ability, excellent soundtrack, precise and skilled mirror movement, and tight narrative rhythm. ③The facial paralysis performance of the characters is to create a cold and cool temperament (perhaps there is also the tense atmosphere of "Death Row Prison Break"), and it has indeed achieved partial success, but since this film is a traditional feature film, it means that the characters The image would be uninteresting (with the possible exception of Jeanne Moro), and the drama would be greatly diminished. ④The photo evidence that appears inexplicably at the end is rather absurd and deliberate.
Elevator to the Gallows quotes
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Simon Carala: Honestly, my dear Tavernier, you often keep me waiting. During the Indochina War, it didn't matter. What was one defeat more or less? But now you're in big business. This isn't a dream.
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Simon Carala: I needed a hero in my business.
Julien Tavernier: A retired hero.
Simon Carala: This kind of work doesn't call for ragpickers but for angels. A paratrooper is a good angel.