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Dustin 2022-01-12 08:01:12
Umberto D and Italian Neorealism
The interest in Umberto D comes entirely from Deleuze.
Deleuze uses Umberto D as his approach to time-image discourse. He also quoted Bazin's understanding of neorealism many times. But then again, what makes Umberto D defined as a neo-realist film? Deletz is actually cheaper than Bergson. The...
Carlo Battisti
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Seamus 2022-03-27 09:01:14
I didn't expect that I was crying so much. This feeling of being unable to die and not being able to live was too heart-wrenching and tormenting. Dogs are so cute.
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Angelo 2022-03-28 09:01:08
De Sica's fatal blow always appears at the very moment when it's about to end, all the pain erupts at this point, and then everyone burst into tears both inside and outside the scene. The screenplay is basically the same as "The Bicycle Stealer". In an indifferent society full of class hatred, the only thing worth showing is the miserable low-class life, and the only thing worth moving is the warmth of life and death.
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