Byron Bishop

Kathryn 2022-03-25 09:01:10

A film about crime and punishment, mother and child, sex and violence. The technique of the whole film is very similar to that of Wong Kar Wai, but the difference is that the director uses many violent scenes to interpret his violent aesthetics, and there are many scenes of blood. , Haha~...i

Milton 2021-12-18 08:01:03

When I finished watching, I covered my eyes, not because of the violent scenes (within the tolerance) but because I waited for so long to watch the high commander play Muay Thai and be handsome, but unfortunately I saw him being beaten out... just saw The feeling that the goddess appeared...

Ashleigh 2021-12-18 08:01:03

If you say dazzling skills, compared with this buddy, Park Chan Wook is simply Abbas. I'm not talking about how glamorous the shots and editing are—in fact, it's not so glamorous. It's just that everyone moves and talks like a zombie, with red, yellow, blue, and green tones that are almost rigid, which is a new way for zombie films.

Ernestina 2021-12-18 08:01:03

The "new eternal triangle" under the hegemony of auntieism: the dominating mother, the passive eldest son (replacing patriarchy), and the suffocating second son, depriving the second son of sexual ability (castration). The mother-hatred consciousness and the Oedipus complex unfolded in Julian's body at the same time, and personal growth is symbolized by violence-the door opened in the dream, the castrated hand, the mother by the bed; the real Thai prostitute (shemale or woman?) and broken belly Hand into the uterus "return to the mother".