Bernhard Wicki

Elouise 2022-01-12 08:01:28

After years of rewatching, I can fully understand and feel Antonioni’s fully expressed emptiness, loneliness, alienation, uneasy and cold warmth. The relationship between feelings and language expression is just like the relationship between Antonioni’s film and narrative. , It is also true and...

Nikki 2022-03-24 09:03:01

This was the first Antonioni movie I saw.

It's very similar to Keira Knightley's "One Night Love". It's a film about a man and a woman who have an affair overnight and then have a new understanding of marriage and love for each other.

This film is full of unease with an old and lustful woman, who...

Newell 2022-03-20 09:02:23

In Antonioni's film, there is a gap between people, either silent or pursuing but not understanding. Communication is not the beginning or promotion of love, but the end of love.

Maynard 2022-03-24 09:03:01

"Night" is really the (relatively) dullest of Ahn's 1960s trilogy. The first half of the opening scene in Dying Atmosphere showcases women's viewing - no doubt an exploration of Rossellini-Berman's work : We see Lidia wandering and staring again and again, but the film offers less of her subjective point of view, focusing on "she is looking" and "we are looking at her who is looking"; what caught her eye? In fact it is the worldness of the world - a deep focus lens strongly suggests this: while extremely sharp front and rear backgrounds are absolutely against the laws of vision, yet the world is so present in the image that it is "too much" Too much" and "too real", so as to trigger the protagonist's fear and exploration. It is a pity that the film finally arranges a visible traditional interpretation for this inspection and call: Giovanni is portrayed as similar to Sandro in "Adventures" but the explorer Lidia does not have the power of Claudia, saying "I don't know you" like she did, and pushing him away.