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Colt 2022-01-03 08:01:40
The right and wrong behind "Citizen Kane", the first in film history, finally someone made a movie
David Fincher's most popular Olympic blockbuster of the year "Mank" was released. This movie gave us a familiar and unfamiliar David Fincher.
This is also destined to be an unpopular film that won't attract much attention and popularity.
Frankly speaking, "Mank" is a movie that is difficult to...
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Carmela 2022-03-22 09:02:11
Who should the movie be made for?
After 6 years of absence, David Fincher finally brings his new film "Mank" - a biopic about the screenplay of "Citizen Kane" written by Herman J. Mankiewicz, a screenwriter of the golden age of Hollywood . And before the author found the time to sit down and enjoy it, the viewing guides for "Mank"...

Benjamin Schnau
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Kennedi 2022-01-03 08:01:40
It is not a coincidence that David Fincher chose to make "Mank" at this time. Mankiewicz’s protection of the Jews and support for the Democratic governor candidate are actually inseparable from contemporary American politics. "Reflecting "Citizen Kane" in form and content, it is better to say that the Trump era and the rising right-wing world after the Great Depression and the United States with a shrinking middle class are similar in the same way. Hollywood is a small society with distinct classes, Mankawi Qi's struggle lies in his heterogeneous intellectual identity. Regrettably, the appearance of "Manke" is nothing more than a testament to the greatness of "Citizen Kane". It can even be said that the former is too far away from the latter.
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Freeda 2022-04-23 07:03:00
A "masterpiece" that is quite demanding on the audience, "Citizen Kane" and even Orson Welles can only be used as a starting point. If you don't understand Hollywood in the 1930s and the world's political structure at that time, the movie will be difficult to play. ——If there is no Netflix, even if the director's signature is Finch, no one will allow him to make movies like this these days... The excellent presentation of the atmosphere of the era, the fascinating interlude structure and the new century display of the charm of montage, the film is good It's the kind of thing that needs to be repeated in the mind and picked up again after years to see the whole picture, and, Gary Oldman is a god!
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[a drunken Herman Mankiewicz sits at the corner of a large dinner table at an elaborate costume party, hosted by William Randolph Hearst and Louis B. Mayer. Instead of tinking on a glass to get the guests' attention, he slashes his glass with a knife. Gasps fill the room as he rises from his seat]
Herman Mankiewicz: I've got a great idea for a picture, Louis. A picture I just know you're gonna love. It's a modern day version of Quixote!
[Mank realizes his voice echoes through the room, but he continues, circling the table full of silent guests]
Herman Mankiewicz: Now I know none of you read, but you know what it's about. A deluded old nobleman, who tilts at windmills. So how might we update this story?
Butler: [whispers to Hearst] Do you want me to get someone?
William Randolph Hearst: No.
Herman Mankiewicz: How about we make our Quixote... a newspaperman? Who else could make a living tilting at windmills? But that's not enough... no, he wants more than readership. He wants more than adulation, he wants love. So, he runs for public office, and because he's notably rich, he wins... no, w-w-w-wait a minute. Notably rich and powerful, can't win over an audience unless notably rich and powerful sees the error of his ways in the final reel. Notably rich and powerful and making no goddamn excuses for it is only admirable in real life. Isn't that right, Louis?
[Mayer glares at Mank as he drunkenly attempts to light his cigarette with the massive fireplace at the end of the room, unsuccessfully. Marion Davies takes a swig of her drink]
Herman Mankiewicz: So what do we do? Anybody? We give him ideals! Ideals that any dirt-poor, depression-weary audience can identify with. Our Quixote is against crooked trusts, he's for the eight-hour workday, fair income tax, better schools. Why, he's even for government ownership of railroads. And you know what we call those people?
Male Guest: Communists!
Female Guest: Anarchists!
Herman Mankiewicz: No, our Quixote, he's a two-fisted muckraker. In fact, someone predicts that he will one day win the presidency and bring about, get this...
[laughing uncontrollably]
Herman Mankiewicz: ... a socialist revolution!
Louis B. Mayer: What a bunch of bullshit.
Herman Mankiewicz: Is it? Tell him, Willie. Tell him.
[Silence]
Herman Mankiewicz: Upton Sinclair used exactly those words to describe a young William Randolph Hearst.
Louis B. Mayer: [leaping from his seat] You miserable bastard!
Herman Mankiewicz: [bowing] How do you do?
[Some guests begin to leave the room, but Hearst's and Mayer's eyes stay on Mank]
Herman Mankiewicz: Our Quixote, he hungers, he thirsts, he lusts for the voters to love him, love him enough to make him president, but they won't. And they don't. How do you suppose that could happen? Could it be because, in their hearts, they know he values power over people?
[More guests leave as Mank approaches Hearst, still seated]
Herman Mankiewicz: Disillusioned in Congress, he authors not one single piece of legislation in two terms. Can you believe that? That'll take some writing. Placed in nomination for president... it's too radical for the boys in the back, his bid goes nowhere! But we're doing something. We're building sympathy!
[Even more guests leave]
Herman Mankiewicz: Rejected, he flees to lotus land, where his faithful troll, Sancho, has prepared a mythical kingdom for...
[Mank eyes Davies, stopping himself totally]
Herman Mankiewicz: Wait a minute. I forgot the love interest! Her name: Dulcinea.
[Every remaining head in the room turns to Davies]
Herman Mankiewicz: Funny, adventurous, smarter than she acts. Ah, she's a... she's a showgirl! Beneath his social stratum, but that's okay because true love on the big screens, we all know is blind. And she... well, she loves him, too. So he takes her away to his m-mythical kingdom,
[to butler]
Herman Mankiewicz: can I get a bicarb?
[back to the guests]
Herman Mankiewicz: Now, along comes nemesis, that's Greek for any guy in a black hat, nemesis runs for governor, and he's a shoo-in to win. Why?
[points to Hearst]
Herman Mankiewicz: Because he's EXACTLY what our Don used to be! An idealist, ya get it? And not only that, nemesis is the same guy who once predicted that our Quixote would one day preside over a socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho
[pointing to Mayer]
Herman Mankiewicz: and armed w-with all the black magic at his command, he does just this. Destroying, in the process, not one man... but two.
[Hearst is clearly furious, but maintains his composure]
Herman Mankiewicz: Well, what do ya think, Louis? Hm? Do ya think it'll play?
[Mank finally belches onto the floor. Any guest who hasn't already left does so]
Herman Mankiewicz: Don't worry, folks. The white wine came up with the fish!
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Herman Mankiewicz: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty.