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Roel 2022-03-27 09:01:16
Looking at the Chinese Image in the French Vision from "Into the House"
Looking at the Chinese Image in the French Vision from "Into the House"
text/empty language
"Into the House" does not tell the story of the Chinese in France, but the foreign country that is mentioned the most in this film is China. From ideology, to economic activities, to cultural life, this...
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Camylle 2022-04-24 07:01:20
babble
I can't understand this movie. But after reading the review, I felt like I was awakened a little bit. After all, my literary skills are still not enough, and there are many things that I can't understand. I just feel that the male protagonist and the teacher are very perverted and go further and...

Bastien Ughetto
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Shirley 2022-03-29 09:01:07
French literary atmosphere, peeping novel-like charming brushstrokes. From fiction to reality / from outside to inside / from last row to first row, and the inner reaction. Teachers' behavior is also "into the classroom" in audio-visual language. The seamless connection between different perspectives, everyone sees and is seen, and the characters are hidden in the background. Youth, comradeship, incest, rising China, another kind of rear window.
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Ebba 2022-03-21 09:02:57
The ultimate in film storytelling. Starting from Oedipus, around the core of literary creation, a series of complex and not messy metaphor systems such as dystopia are extended. Tribute to "Rear Window" has already surpassed. Selfishness will think that this is a science fiction film-because literature itself is constructing reality and predicting the future just like the language of "Arrival". The ending and bold character relationships are the same as in "New Girlfriend". The above short comment is a literary student's self-intentional obscenity.
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Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.
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[last lines]
Claude Garcia: To be continued.