-
Orrin 2022-01-16 08:01:17
"Entering the Hall": The reader is dead
"Entering the Hall" is obviously a story about how the gaze becomes the object of the gaze, and how the other is metaphorically referred to. However, this conclusion inevitably falls into a paradox about meaning: "Entering the Hall" is a film about "three stories"—Crowder's story; the story of...
-
Idella 2022-03-23 09:03:00
Do you eat literature?
How deep is the cultural foundation to write such a story , there are
too many foreshadowings, innuendos and echoes,
as well as the viewpoints of many famous works.
The movie itself is a novel.
The story is just about (beginning) a perverse middle school teacher who stumbles across a fascinating...

Bastien Ughetto
-
Ebba 2022-03-21 09:02:57
The ultimate in film storytelling. Starting from Oedipus, around the core of literary creation, a series of complex and not messy metaphor systems such as dystopia are extended. Tribute to "Rear Window" has already surpassed. Selfishness will think that this is a science fiction film-because literature itself is constructing reality and predicting the future just like the language of "Arrival". The ending and bold character relationships are the same as in "New Girlfriend". The above short comment is a literary student's self-intentional obscenity.
-
Violette 2022-03-30 09:01:08
I don't have a mother, you lose passion, he lacks recognition, she thinks she's all, but she doesn't have anything. I thought I could find something from each other, but it turns out we're alone and stable after all Love is enough to satisfy the condescending voyeurism. It is happiness in itself. Maybe you don't need to return to the normality of life, but you want to live forever on the page.
Related articles
-
Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.
-
[last lines]
Claude Garcia: To be continued.