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Aurelio 2022-12-01 03:22:11
Introduction to Design Topics / About Museum Curation / Excerpts from the Movie
■ "A work of art is not a living thing - for example, it can walk, run, and jump. Part of it is a miracle of fingertips; part of it is a miracle of thought; part of it is a miracle of technology And part of it, it's real feeling. And there's some transcendent feeling, like the Fifth Symphony (Ode...
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Kylee 2022-12-10 21:37:40
a little story
When I was in high school, there was a girl who
participated in the school speech contest
, holding a hardcover Hans Christian Andersen fairy tale and
reading "The Little Match Girl",
I sneered
at it and thought at the time:
How can it be called a speech contest
? It was a passionate and...
Balkrishna Doshi
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Violette 2022-06-14 21:27:42
when a man loves all people, sometimes he may pay less attention to the very closest ones...
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Heath 2022-06-14 21:28:20
"You rarely meet someone who presents matter in a spiritual way. He is very concerned with that sense of nothingness, very concerned with silence, very concerned with mysterious light. This is not a conventional statement, it is not a conventional elaboration, which is what we What fascinates him is what he likes to discuss. When someone understands this, he must not be an ordinary person, he must have an enlightened soul, we call him a teacher, we call him a practitioner.” at Night in Berlin
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Louis Kahn: A work of art... is not a living thing... that walks or runs. But the making of a life. That which gives you a reaction. To some it is the wonder of man's fingers. To some it is the wonder of the mind. To some it is the wonder of technique. And to some it is how real it is. To some, how transcendent it is. Like the 5th Symphony, it presents itself with a feeling that you know it, if you have heard it once. And you look for it, and though you know it you must hear it again. Though you know it you must see it again. Truly, a work of art is one that tells us that Nature cannot make what man can make.
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Louis Kahn: When you want to give something presence, you have to consult nature. And there is where design comes in. If you think of brick, for instance, you say to brick, "What do you want, brick?" And brick says to you, "I like an arch." And if you say to brick, "Look, arches are expensive, and I can use a concrete lintel over you. What do you think of that, brick?" brick says, "I like an arch."
[Students laugh]
Louis Kahn: And it's important, you see, that you honor the material that you use. You don't bandy it around as though you said, "Well, we have a lot of material around. We can do it one way, we can do it another." It's not true. You can only do it if you honor the brick, and glorify the brick, instead of just shortchanging it.
