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Branson 2022-03-12 08:01:02
Except the protagonist is good-looking, there is nothing
1. During the meeting, the speaker mentioned this movie and was curious, so he downloaded it and watched it.
2. The overall feeling is not very good. It turns out that foreign films are also bad.
3. The heroine is so beautiful. Only now did I realize that girls with big eyes are so pretty. The male...
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Cleveland 2022-03-12 08:01:02
A tearful film
This is a very touching film.
In the beautiful and peaceful American countryside, the beautiful girls Deanie and Bud are deeply in love with each other. Their love carries the enthusiasm and excitement of youth, as well as the helplessness and confusion of youth. However, they were forced to break...

Audrey Christie
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Mark 2022-03-26 09:01:14
What though the radiance which was once so bright Be now forever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind;
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Alec 2022-03-15 09:01:11
Americans were so conservative in their sexuality in the 1920s that not only society and parents would supervise their children's chastity, but even teenagers would feel self-blame and guilt for their sexual desires. After an indulgence, the fortunes of the two young men take a sharp turn. Kazan is very familiar with this kind of moral story, especially in portraying a woman who is deeply tortured by desire. Although the depth of Natalie Wood's character is not as deep as that of Vivien Leigh in "A Streetcar Named Desire", it is equally embarrassing. endlessly.
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[first lines]
Wilma Dean: Bud...
Bud: Deanie, please...
Wilma Dean: Bud, I'm afraid. Oh, Bud... don't, Bud.
Bud: Deanie...
Wilma Dean: No... we mustn't, Bud... no... no...
[he gets out of the car]
Wilma Dean: Bud, don't be mad.
Bud: I better take you home.
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[last lines]
Wilma Dean: [voiceover] Though nothing can bring back the hour of splendor in the grass, glory in the flower, we will grieve not; rather find strength in what remains behind.