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Branson 2022-04-21 09:01:36
the strength of persistence
An already excellent story + Angie's excellent acting + the director's unique shooting method, it was late at night after watching the movie, but I couldn't calm down for a long time. In the end, the Collins mother and son were not able to reunite in the end. This regret is the best ending in my...
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Gayle 2022-01-25 08:07:39
family words
I have to admit, I'm biased against director Clint Eastwood.
Actors and directors who act well and direct like this, especially those who take the hard-guy out-of-the-way acting style, are not very good at "subtracting" as a director. Although Clint Eastwood is amazingly talented, I can't digest...
Anthony De Marco
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Candace 2022-04-24 07:01:04
Shocked! The greatness of mother's love, the belief that persists, and the powerful force that erupts for justice. rule No.1, never start a fight, always finish it. Don't take the initiative to pick things up, but stay with you to the end.
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Damian 2022-03-24 09:01:31
A mother's love is strong and great. Society is dark and cruel.
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Detective Lester Ybarra: If that's how you want it, then I guess we're done here. Tell county jail we're remanding him for trial.
Arthur Hutchins: Wait. I didn't do anything. I wasn't even here when it happened.
Detective Lester Ybarra: By pretending to be Walter Collins, you're interfering in a police investigation of a kidnapping and murder. We can try you as accomplice to that murder after the fact. That's too bad. County jail is a lot worse than a juvenile hall or a foster home. It's a lot worse.
Arthur Hutchins: You can't do that. I'm just a kid.
Detective Lester Ybarra: Mm. Sanford Clark's a kid, too. Fifteen. He's going to jail. All murderers and their accomplices go to jail. Everybody knows that. Get him out of here. It's out of my hands now.
Arthur Hutchins: Wait. I don't want to go to jail.
Detective Lester Ybarra: [pause] Prove it.
Arthur Hutchins: I... I knew Los Angeles is where they make the Tom Mix movies. I figured if I could meet Tom Mix, maybe he would let me ride on his horse. His horse is named Tony. Did you know that?
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Dr. Jonathan Steele: According to your file, you believe that the police substituted a fake boy for your son.
Christine Collins: No, I didn't say he was a fake boy. He's not *my* boy. They brought home the wrong boy. My son is still missing.
Dr. Jonathan Steele: Well, that's strange, because I have here a newspaper article with a photo of you at the train station, welcoming home your son.
[shows her the article]
Dr. Jonathan Steele: That is you in the photo, isn't it?
Christine Collins: Yes.
Dr. Jonathan Steele: So, at first, he was your son and now he's not your son. Has this been going on for a long time? People changing, becoming something other than what they are?
Christine Collins: People don't change.
Dr. Jonathan Steele: You don't think people change?
Christine Collins: No, that's not what I...
Dr. Jonathan Steele: Shh! The police, they're not out to persecute you?
Christine Collins: No, they're not.
Dr. Jonathan Steele: No, they're not. The police are here to protect you.
Christine Collins: Yes.
Dr. Jonathan Steele: Really?
Christine Collins: Yes.
Dr. Jonathan Steele: Well, that's odd, because when you were admitted, you told the head nurse that the police were conspiring *deliberately* to punish you. So, either the head nurse and the interns are also conspiring to punish you or you're changing your story.
[pause]
Dr. Jonathan Steele: Do you often have trouble telling reality from fantasy, Mrs. Collins?
Christine Collins: No...
