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Irma 2022-01-12 08:01:05
You Can't Take It with You
Content retelling
The movie starts with the rich man Kirby buying a residential area but encounters a nail house. The members of this nail house enjoy themselves. Everyone has their own busy and interesting things. One of them fell in love with Kirby's son again, which created a delicate...
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Dejon 2022-01-12 08:01:05
Floating like a dream
The story describes the Wall Street giant Kabi deliberately expanding the factory to residential areas in order to make money, but was strongly opposed by the Van der Hoff family there. Fan family members have a strange personality. The second daughter, Alice, works as a secretary for Kirby’s...
Ann Miller
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Palma 2022-03-25 09:01:15
Capra is good at integrating the main theme and good moral expectations into interesting stories, and the Chinese main theme directors study hard.
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Reinhold 2022-03-27 09:01:14
Seemingly "left" (praising proletariat, pro-Soviet, revolutionary propaganda), it is actually the main spin. A simple worldview similar to "How Beautiful Life" is: poor + do what you want, rich + can't see it. The description of the bottom floor cannot be studied in depth (for such a big house, I will go; the whole family is entertaining themselves, how can there be a little secret?). The old man resists demolition for his wife, birds... fly around the house? Seamless editing (small differences in scene/angle) and fast speech.
You Can't Take It with You quotes
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Anthony P. Kirby: Say Tony, do you realize there won't be a bullet, gun, or cannon made in this country without us?
Tony Kirby: Dad, now don't tell me you've forgotten the slingshot market.
[makes slingshot motion/gesture, playfully pats his dad on the shoulder twice, and exits the room]
Anthony P. Kirby: Hehehehehehehehehehe!
[laughs heartily before answering a phone call]
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Grandpa Martin Vanderhoff: Listen, when I was courting your grandmother, it took me two years to propose. You know why? The moment she'd walk into a room my knees would buckle; the blood would rush up into my head and the walls would start to dance. Twice I keeled over in a dead faint.
Alice Sycamore: [laughing] Why, Grandpa.
Grandpa Martin Vanderhoff: Yeh. She finally dragged it outta me when I was in bed with a one hundred and four fever and in a state of hysteria. The moment she accepted, the fever went down to normal and I hopped outta bed.
[Alice smiles and chuckles]
Grandpa Martin Vanderhoff: Oh, the case was written up in all the medical journals as the phenomenon of the times.
[scoffs]
Grandpa Martin Vanderhoff: Nothing phenomenal about it - I just had it bad, that's all; and I never got over it either, no sir. Right up to the very last she couldn't walk into a room without my heart going 'thump, thump, thump.'
Alice Sycamore: [hugs him] Aw, you darling. Oh, I wish I'd known her. What was she like?
Grandpa Martin Vanderhoff: Well, look in there.
[points to a dresser behind him]
Grandpa Martin Vanderhoff: This was her room too. Did you ever notice a peculiar fragrance in here?
Alice Sycamore: Yes, but I never knew what it was.
Grandpa Martin Vanderhoff: That's her. It's never left here; she hasn't either. I can still hear the tinkle of her thin little voice and see her eyes laughing. That's the reason I've lived in this house so many years and could never move out: it'd be like moving out on grandma.
