Angèle

Laurianne 2022-04-21 09:03:43

We are all human, and it is impossible to say that Karax is as great as he is. Indie movies can be played casually. After watching it for more than two hours, it is really, nothing to do. Really like the "Villain Film Review" said, the songs are ugly and the stalks are boring. If this is a...

Vicky 2022-04-19 09:03:09

Even though love is beautiful, it changes quickly. The arrival of baby Anette may have been an unfortunate beginning from the beginning, and making a puppet like it also makes sense, but every expression, every scene, the night when my mother died, sitting on the beach, looking at the bright moon...

Catalina 2022-03-19 09:01:10

Carax and her daughter Nastya stand together and bid farewell to the hero and heroine into the drama. Will this self-disclosure be too obvious? I always think of Yekaterina Golubeva, whether the sudden death of the old soul has something to do with Carax, several scenes of Cotillard rushing towards the protagonist like a ghost, and the echoes in the movie are the shadows of the relationship between the two? This drug-loving and irritable life practitioner is full of remorse and guilt. The routine of encountering violent and gentle men and women is no longer romantic, and even her daughter will live to say goodbye to you, "No one will love you again. You have no one to love." The portrayal of a demon who doesn't know love and can't live, 130 minutes tells how he is a servant, too addicted to the character morbidity has always been a fatal disease of Carax, but film creation is not a cure, then It's a skill that can be handed over when it's almost ready, it's a big breath before recovery. It is to announce that people who are not loved by no one should stay in the movie world. Fortunately, you don't have to stay in this world, and finally travel with your daughter and friends to pay tribute to the Hundred Ghosts Night. I prefer to throw different life possibilities with Denis Lavant in Holy Motors.

Marilie 2022-04-23 07:05:12

What Karax stabs is a small paradox in cinema, which is that cinema tries to immerse us (especially in Hollywood) but we cannot ignore the existence of the performance itself. For example, François and Edict Kawara have filmed disfigured faces in "Eyes Without Faces" and "The Face of Others", but disfigured characters still need to wear a mask or a mask even if they are alone at home. Bandage. Because the audience is sitting behind the camera. In the Hollywood days of "Hays Code", couples in the movies were separated by screens when they lay in bed. "Annette" amplifies the presence of this performance, so even bed sex requires singing. The essence of performance is a kind of imitation, and imitation produces comics, and the stage comedian is Henry (the Bergsonian comic) at its best. Making love itself has also become a mechanical imitation movement, and what is born is the mechanical device itself "Annette". Henry (Carax) slips into the cage of American cinematic narrative. This is the deepest compliment and the most unavoidable irony of American cinema.