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Kamryn 2022-02-07 14:44:52
The Vague Self-Portrait in the Chaotic Patterns - Joan Crawford's "Desire"
It has nothing to do with the intertwined affection and love, nothing to do with the romantic and euphemistic gorgeous chapters, only the cold and lonely banyan with the lonely and lonely red, only the consonance and earnest warning of the parents' hearts. Romanticism teaches us to banish the... -
Kasey 2022-02-07 14:44:52
The multiple propositions of lust: film noir, feminism, parental love
Although it has the shell of a film noir, it can be seen as a feminist film in essence, a history of women's struggle, which is enough to compare with Naruse Mikio's "Women Walking Up the Stairs" - all women stand on their own. The story of opening a restaurant and starting his own business - even...
Angela Greene
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Shana 2022-02-07 14:44:52
Milred doesn't know how to teach students according to their aptitude and spends a lot of money to let her daughters learn this and that and make them her accessories. Milred's every move, from childhood to adulthood, from career to men, caters to the wishes of her daughters and makes them live a better life. A representative of pseudo-feminism that makes her become a child's accessory, a woman whose identity has given way to motherhood, and has no independent spiritual space, a deformed product formed by the hybridization of new female thoughts and traditional concepts
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Elliot 2022-03-26 09:01:13
Great melodrama, but this plot is too badass!!! It can be stretched to a hard old Taiwanese-style melodrama that makes aunties cry to death. . .
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Monte Beragon: You know, Mildred, in the spring, a young man's fancy lightly turns to what he's been thinking about all winter.
Mildred Pierce: It's a good thing California winters are so short.
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Mildred Pierce: And just what do you do, Mr Beragon?
Monte Beragon: I loaf, in a decorative and highly charming manner.
Mildred Pierce: Is that all?
Monte Beragon: With me, loafing is a science.
