Amali Golden

Martina 2022-04-22 07:01:05

This villa is really perverted; (seeing the woman is about to run away) This man can't be a control freak, damn it; who TM eats popcorn, don't spill it if you're scared! I saw a close-up of the hanger (I later found out it was an invisibility cloak), I don’t think the male protagonist has already...

Alta 2022-04-19 09:01:36

I really thought it was the kind of invisible man in superhero movies, but it turned out to be explained by high technology. A rich and handsome PUA man wants to control a woman with an independent personality. This theme is also in line with the current mainstream of feminism in Hollywood. In this...

Carrie 2021-11-11 08:01:15

Of course, everything is the fault of men (of course black men are not men but black). Control freaks and domestic violence men, these realities can be exaggerated artistically, but using fake death to retaliate is a stupid persecution delusion, and it is rooted in the narcissism like "his world is only me, and he can't live without me" inside. An "ordinary country girl" who was persecuted by a domineering president through marriage is precisely a spring dream of fishing for women packaged as a horror of male power. If things were so easy, those actresses would not be raped by Harveystein (of course, we can also ask how to liquidate those actresses who were actually promoted by Harveystein through sex transactions and even the actresses?). Hollywood’s new fairy tale is no longer the prince and Cinderella living happily, but becoming Cinderella both gaining independence and all the prince’s property. For this fairy tale to be established, the prince can only be designed to be both super abnormal and She was a super nympho, she even gave away 5 million to commit suicide, and the password of the invisibility cloak was her birthday. Finally, here is a testimony of lynching. Bai Zuo's upside-down dream is the real invisibility cloak, which is similar to lard covering the heart, deceiving himself and others.

Rebeka 2022-03-25 09:01:06

There are few works with strong integrity in concept-setting horror films, and the processing from text to audio-visual is enough to be refined. The main themes of the text are "aggression" in general terms, the aggression of gender and emotional relationships, the aggression of the human being by technology, the aggression of the unknown against the known, and the "savageness" of wearing the invisibility cloak (liberation from social constraints) A violation of "civilization". Several sets of binary conflicts enrich text hierarchy and readability. Warner uses the traditional audio-visual setting of horror films to dissolve the setting of science fiction, and strips away the dark attributes behind the arc of technology. It is a cool director's treatment. The biggest surprise came from Elisabeth Moss, whose high-intensity non-physical performance smashed the logic flaws of the story, giving the film higher credibility than the screenwriter and director could give. ★★★☆