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Dexter 2022-01-21 08:02:12
An indescribable sense of sculpture. Ancient romance.
The first time I watched the full version of 4 hours. When I was in college, I read the version for more than two hours. I am still very excited today.
1
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Clifford 2022-01-21 08:02:12
It’s really a bit verbose
4h
conflict paintings stacked montage imagination of the world and mental world are all powerful
as classic Dream of Red Mansions is still the classic era of procrastination
think big wave sailing with eagle eyes the color most likely because it is how long could not find the back more than these...

Albert Dieudonné
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Tyreek 2022-04-22 07:01:49
Young faces, exaggerated performances. People saw eagles in Napoleon's eyes. Napoleon did not forget to pull up the flag of the other party during the escape. The turbulent sessions alternated with scenes of turbulent waves. Mara's death. A clerk who is hungry for paper. Marriage is in a hurry. The last part adopts the experimental method of three-frame film. Three and a half.
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Hillary 2022-03-14 14:12:28
Hundreds of thousands of meters of film, four years of shooting time, more than 20 editors, and the mysterious length of the film are only the first work of the six parts. If the filming is really completed, it will be a great blessing in the history of world cinema. Cross montage, dissolve and intersperse close-ups of characters. Platts and Ai's editing are perfectly integrated and unified here, creating a magnificent historical scene. The use of multi-color filters divides the internal paragraphs, clarifies the rhythm, and makes Napoleon under different colors has different meanings and styles. The three screens of bloody war night, golden speech love, and filterless cross-domain display make Napoleon come back to life here. Horseback riding POV, the subjective perspective of the barrel sliding backward, expands the attacking male conquer power to the maximum. Chasing the big vision at night, sailing alone in the sea, cold rain and war night, the waves are magnificent and epic. When the final subtitles gradually moved backwards and the aspect ratio changed from 4:3 to 12:3, the huge wide screen made Abel Gance also become Napoleon. In the segment of the three screens, Gang Not only did he show the shock of the huge picture, but he also broke the boundary between close-up and distant view.