Alan Weeks

Glennie 2022-04-18 17:34:52

From the beginning of the movie to the end, popeye is tracking, tracking. So the main line of the movie is very clear, that is to solve this drug case. The popeyes went to work almost unscrupulously, including the manslaughter of their colleagues. Without showing even a trace of sadness, he loaded...

Shaina 2022-04-18 17:34:52

The "French Drug Network" series that has been on the hard drive for several years, I always don't want to watch it. Because it's a movie from the 1970s, I'm afraid it doesn't suit my taste. But online comments said it was a good film, and today I finally gathered up my courage and finished...

Kaya 2022-04-19 09:01:55

The speed of movement! In the Hollywood era of the big studios, the car scenes were boring due to a large number of synthetic backgrounds. With the practice of "Gone with the Wind" and the French New Wave, the camera was completely alive in this film, obtaining a kind of excitable movement. Speed ​​- the "impossible point of view" of the front of the car is an extreme experience that can only belong to the movie. Apart from the wonderful parallel editing, zoom lens and art design, as a sketch of New York style, this film truly integrates the story into the urban environment. In the temperament; the characterization and the handling of the climax are completely New Hollywood, belonging to the 1970s - the anxious atmosphere of the beasts and the emptiness at the end and the openness of the nihilism at the end are hard to replicate in today's American movies.

Ross 2022-04-21 09:02:07

This Oscar-winning film may not seem so tense and exciting today, and the plot is a little thin, but its tracking and chasing scenes still have an extremely strong sense of substitution, and are regarded as textbook scenes. The style of cinematic realism is extremely cold, and this style makes the film like a weathered sculpture, rough and delicate, and unforgettable.