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Kole 2022-03-23 09:02:51
Eggs
The moving and feeling the film brings to me is not a little bit
of external, ordinary looking raccoon; but internal, there will be different styles of dress up...
Each style is so lovable.
Hayao Miyazaki's films always discuss the relationship between humans and animals, the relationship between... -
General 2022-01-11 08:03:05
Feelings of watching the ever-changing civet cat
Do you think it is a civet cat? In my opinion, it is a story of human beings themselves. This movie is a fable; like Aesop's fables that use animals as a metaphor for human society! If Studio Ghibli shoots "The Variety Civet" as a vulnerable group resisting violent demolitions, then it may be...
Akira Kamiya
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Blanche 2022-03-17 09:01:06
Tanukis speak Japanese, drink sake, sing folk songs and dance folk dances. Can they become adults in traditional Japanese costumes? This is even more powerful than the X-Men Blue Witch! But they can't deal with humans? The greater the ability, the faster the extinction? Obviously, this kind of story setting is unexplainable from the perspective of the biological evolution of interspecies competition and survival of the fittest. The "variety" technique is more like a practical skill that serves the fun of the animation and imagines the picture and makes the audience hooked, rather than a practical skill to play with humans within the logic of the plot. So I once again confirmed my old view: the relationship between the story world of highly stylized myths/costumes/animations and human society can only be satirized and cannot be connected. The so-called sarcasm is that in the closed circle of the civet cats, some are combative, some are peaceful, some will change, some will not, some are excluded, some are embraced... and then this kind of character is related to Interaction can project a certain era crisis in human society. If this is not the case, but the narrative greed and vain attempt to be directly related to humans, then many of the original set selling points will face the risk of losing control and disagreement.
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Frank 2022-03-28 09:01:08
I have never seen such a silly X's narration, and the style of painting is also very unpleasant
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Ponkichi: If we get rid of all the humans, that means... we'll never eat tempura again! Or beef jerky! Or popcorn.
Tanuki: Hamburgers! Donuts! Potato chips! Pepperoni pizza! Chicken wings!
[Gonta is moved by this. His eyes tear and his mouth waters]
Gonta: I can taste it!
Seizaemon: So, then, do you think it would be alright if we kept a few humans around, Gonta?
Gonta: [wiping the saliva from his mouth] We have no choice.
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Shokichi: Master, would you re-enact the tale of the young samurai who shot the fan?
Hage: Ah. I'll need some help.
[He transforms into Nasu no Yoichi. He flies towards the crowd. Gonta's eyes bulge as he realizes that Master Hage is homing in on him. The crowd of tanuki scramble. Master Hage lands on Gonta and clings to his back. The Taka tanuki struggles, then hops around on all fours and turns into a horse. Hage rides around the clearing. Water seems to flood into the clearing, and Master Hage rides Gonta into it. Before them is an image of the sea, and three boats. One of the boats has the image of a woman standing on the bow of the boat and a fan on the top of the mast. Hage draws a bow and shoots the fan, sending it flying into the air]
