Agnes Moorehead

Agnes Moorehead

  • Born: 1900-12-6
  • Birthplace: Clinton, Massachusetts, U.S.
  • Height: 5' 6½" (1.69 m)
  • Profession: actor
  • Nationality: America
  • Graduate School: Bradley University
  • Representative Works: "Charlotte's Web", Citizen Kane, Jane Eyre
    • Agnes Moorehead (Agnes Moorehead, December 6, 1900-April 30, 1974), was born in England and Ireland, actor [1]  .
    In 1941, starred in his first movie " Citizen Kane " [1]  . In 1944, starred in the movie "Mrs. Parkington" [1]  . In 1948, he co-hosted the Oscar awards ceremony with Dick Powell [1]  . In 1964, co-starred with Joseph Cotten in the movie " Hush... Hush, Sweet Charlotte " [1]  .

    Early Experience

    Agnes Moorehead, formerly known as Agnes Robertson Moorehead, was born near Boston, Ireland. His father, John Henderson Moorehead, was a Presbyterian pastor. Her parents encouraged her to attend church celebrations   .
    At the age of three, Agnes sang "The Lord is My Shepherd " on a public stage. Seven years later, she joined the St. Louis City Opera as a dancer and singer for four years. He then studied at Muskingum University in Ohio, and then at the University of Wisconsin System and received a master's degree. Later, he received a doctorate in literature from Bradley University  .
    When her family moved to Reedsburg, Wisconsin, where Agnes taught English and drama in public schools for five years. In the meantime, she went to Paris to learn pantomime from Marcel Marceau . In 1928, Agnes Moorehead started studying with Rosalind Russell at the American Academy of Dramatic Arts and graduated with honors the following year . 

    Performing Experience

    In 1923, Agnes Moorehead did his first job as a singer on a radio station in St. Louis   .
    In 1937, Agnes Moorehead met and became friends with the actor Orson Welles . Wells soon invited her to join him and Joseph Cotten as a member of the Mercury Theater as a founding member   .
    In 1941, Agnes Moorehead starred in his first movie " Citizen Kane "   .
    In 1944, Agnes Moorehead starred in the movie "Mrs. Parkington", playing the compassionate Baroness Conti   .
    In 1948, Agnes Moorehead played the leading role in the movie " Johnny Belinda " Aunt Agie   .
    In 1948, Agnes Moorehead co-hosted the Oscars with Dick Powell , and was the first woman to host the Oscars   .
    In 1962, Agnes Moorehead co-starred in the TV series "Prescription Murder" with Joseph Cotten  .
    In 1964, Agnes Moorehead starred in the movie " Hush... Hush, Sweet Charlotte ", playing the loyal housekeeper Velma, co-starring her old friend Joseph Cotten   .
    In 1956, Agnes Moorehead participated in the film "Conqueror" directed by Dick Powell and starring John Wayne and Susan Hayward . Other actors and many crew members in the film died of cancer because this film was in The Silver State . It was filmed in the test site where the radioactive fall-out from the atmospheric nuclear test was severe   .

    Personal Life

    Marriage
    On June 5, 1930, Agnes Moorehead married Jack G. Lee, and divorced on June 11, 1952. Soon after separating from her first husband, Agnes adopted her son Sean   .
    Agnes Moorehead married Robert Gist on February 14, 1953, and divorced on March 11, 1958   .
    Political leanings
    Agnes Moorehead is a Republican supporter and Christian conservative   .
    Passed away
    On February 8, 1960, Agnes Moorehead was awarded the Hollywood Walk of Fame at 1719 Vine Street in Hollywood, California   .
    On April 30, 1974, Agnes Moorehead died of uterine cancer in Rochester, Minnesota, USA . He was buried in Dutton Memorial Park in Dutton , Ohio   .
    Extended Reading

    The Magnificent Ambersons reviews

    • Makayla 2022-03-13 08:01:01

      The Magnificent Ambersons FAQ

      http://ambersons.com/FAQs.htm

      What is The Magnificent Ambersons about?

      The Magnificent Ambersons is about the proud and celebrated Amberson family. The story shows how the family refuses to change with the times, and the subsequent deterioration of the Amberson name as a result.

      The story is set...

    • Antonio 2022-03-13 08:01:01

      ghost

      8.0

      In order to commemorate the 80th anniversary of the film, the director's cut has the opportunity to be retrieved and released. If there is a chance, I would like to see the whole picture. Classical music is different from folk music, the latter responds to reality, but the former is detached, it...

    The Magnificent Ambersons short comments

    • Crystal 2022-03-24 09:03:46

      Even in this remnant that has been poisoned by savage hands, we can still see the glory and grandeur built by Orson Wilson. Yet all grandeur must be annihilated, which is the most disturbing message of this ruined masterpiece. Everyone in the big house was thinking of the grace and unfinished desires of the past, and the undead past cast countless shadows on these people, blinding their eyes to the present. Yes, who is willing to give up the grand and magnificent sight? Studios and audiences don't want to see any decay, so try to misinterpret it. And that weird ending turned out to be the movie's best irony: you viewers! I would rather believe in hypocritical tenderness than see the vicissitudes of history.

    • Liliane 2022-03-22 09:02:57

      King Solomon - Orson Welles

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    The Magnificent Ambersons quotes

    • Maj. Amberson: So your devilish machines are going to ruin all your old friend, eh Gene? Do you really think they're going to change the face of the land?

      Eugene: They're already doing it major and it can't be stopped. Automobiles...

      [cut off by George]

      George: Automobiles are a useless nuisance.

      Maj. Amberson: What did you say George?

      George: I said automobiles are a useless nuisance. Never amount to anything but a nuisance and they had no business to be invented.

      Jack: Of course you forget that Mr. Morgan makes them, also did his share in inventing them. If you weren't so thoughtless, he might think you were rather offensive.

      Eugene: I'm not sure George is wrong about automobiles. With all their speed forward they may be a step backward in civilization. May be that they won't add to the beauty of the world or the life of the men's souls, I'm not sure. But automobiles have come and almost all outwards things will be different because of what they bring. They're going to alter war and they're going to alter peace. And I think men's minds are going to be changed in subtle ways because of automobiles. And it may be that George is right. May be that in ten to twenty years from now that if we can see the inward change in men by that time, I shouldn't be able to defend the gasoline engine but agree with George - that automobiles had no business to be invented.

    • [last lines]

      Eugene: Fanny, I wish you could have seen Georgie's face when he saw Lucy. You know what he said to me when we went into that room? He said, "You must have known my mother wanted you to come here today, so that I could ask you to forgive me." We shook hands. I never noticed before how much like Isabel Georgie looks. You know something, Fanny? I wouldn't tell this to anybody but you. But it seemed to me as if someone else was in that room. And that through me, she brought her boy unto shelter again. And that I'd been true at last, to my true love.

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