Adamo Dionisi

Donato 2022-03-05 08:02:53

The original text was published in the February issue of "Watching Movies", please indicate when reprinting.

"Christ, or a devil? A saint, or a robber? He is a man. A man of one enemy, a brilliant antagonist, an absolute rebel. Despite his fame, he has always been a perpetual fringe, yes A hero...

Jacklyn 2022-03-05 08:02:53

Abel Ferrara’s long-gestated biopic of Pier Paolo Pasolini has its congenital defect, by cast Willem Dafoe (albeit his striking physical resemblance) as the maestro, hence, the prominent anglophone dialog is rightly incongruous with its milieu and becomes more problematic because the rest Italian...

Verna 2022-03-15 09:01:11

Ferrara interweaves the last day of Pasolini's life with his magnificent unfinished manuscript, and after Pasolini's murder, his two men embark on a journey in pursuit of the Messiah's comet - which in itself Like a fable about the afterlife. A biographical film that pays tribute to Pasolini's faithfulness, imperfect but humble enough.

Elta 2022-03-05 08:02:53

Rough and straightforward views, stupid English, and death on public display. All paragraphs are incoherent. It's only during oral sex that he's Pasolini. #tiff