You Can't Take It with You evaluation action

"You Can't Take It with You" not only praises optimism as the spiritual pillar of the United States, but also reveals a deeper theme: mutual respect, mutual support, and appreciation between people are true warmth. Films adapted from stage plays in the past have more or less inherited the form of stage plays, and they are basically inseparable from the stage's "three-in-one" principle. Compared with previous films, the scene scheduling of the film has made a great breakthrough, breaking the limitations of the stage. For example, when shooting a couple of lovers playing with children under a tree, the depth of field of the lens tried to break through the background of the stage form. The attempt of the film is to include the real elements of real life in the footage of the film, and to maximize the real world through the scene scheduling to reduce the scope of the lens. This approach separates the film from the previous films that still use the stage principle. A clear boundary. A good movie always takes into account the aesthetic interests between the elite and the common people, and while presenting thoughts and suggestions to the times, it also seeks innovation and breakthroughs in art. "You Can't Take It with You" pursues the righteousness. That’s it, and it’s done wonderfully .