"You Can't Take It with You" not only praises optimism as the spiritual pillar of the United States, but also reveals a deeper theme: mutual respect, mutual support, and appreciation between people are true warmth. Films adapted from stage plays in the past have more or less inherited the form of stage plays, and they are basically inseparable from the stage's "three-in-one" principle. Compared with previous films, the scene scheduling of the film has made a great breakthrough, breaking the limitations of the stage. For example, when shooting a couple of lovers playing with children under a tree, the depth of field of the lens tried to break through the background of the stage form. The attempt of the film is to include the real elements of real life in the footage of the film, and to maximize the real world through the scene scheduling to reduce the scope of the lens. This approach separates the film from the previous films that still use the stage principle. A clear boundary. A good movie always takes into account the aesthetic interests between the elite and the common people, and while presenting thoughts and suggestions to the times, it also seeks innovation and breakthroughs in art. "You Can't Take It with You" pursues the righteousness. That’s it, and it’s done wonderfully
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You Can't Take It with You evaluation action
2022-01-12 08:01
Extended Reading
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Clarissa 2022-03-25 09:01:15
[NeuroComedy｜Cross-Class Type] A hymn of individuality that welcomes the extended family of those who quit their dull, monotonous jobs to pursue their personal interests. The values of the protagonist are consistent with that of "Vacation Day" in the same year. ｜Characters, social attitudes, and narrative patterns are still formulaic in an overnight romance. Caprata will stir up public resonance with the conventional elements of a pair of comedy men and women in any situation. ｜I was impressed that a group of children dressed up as adults danced and danced with the male and female protagonists.
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Palma 2022-03-25 09:01:15
Capra is good at integrating the main theme and good moral expectations into interesting stories, and the Chinese main theme directors study hard.
You Can't Take It with You quotes
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Wilbur G. Henderson, IRS Agent: Now, Mr. Vanderhoff, that's a very serious thing, not filing an income tax return.
Grandpa Martin Vanderhoff: Now, suppose I do pay you this money; mind you, I don't say that I'm going to, but, just for the sake of argument; what's the government going to do with it?
Wilbur G. Henderson, IRS Agent: What do you mean?
Grandpa Martin Vanderhoff: Well, what do I get for my money? For instance, if I go into a department store and buy something, why, there it is! I can see it. Well, what are they gonna give me?
Wilbur G. Henderson, IRS Agent: Why the government gives you everything! It protects you!
Grandpa Martin Vanderhoff: From what?
Wilbur G. Henderson, IRS Agent: Well, invasion! How do you think the government's gonna keep up the army and navy with all those battleships?
Grandpa Martin Vanderhoff: Battleships? The last time we used battleships was in the Spanish-American War. And what did we get out of that? Cuba - and we gave that back. Why, I wouldn't mind paying for something sensible.
Wilbur G. Henderson, IRS Agent: Something sensible? What about Congress and the Supreme Court and the President? We gotta pay them, don't we?
Grandpa Martin Vanderhoff: Not with my money! No, sir.
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Wilbur G. Henderson, IRS Agent: Who's gonna pay for all those buildings down in Washington? And interstate commerce? And the Constitution?
Grandpa Martin Vanderhoff: The Constitution's been paid for years ago. And as for interstate commerce, what is interstate commerce anyway?
Wilbur G. Henderson, IRS Agent: There are 48 states. See. And if it weren't for interstate commerce nothing could go from one state to another. See?
Grandpa Martin Vanderhoff: Well, why not, have they got fences?