"X-Men: Apocalypse" returns to the story itself. Why the hero fights, why he rebels, and how to turn things around are well documented and clear in the film. The most important thing is that the film is not only discussing justice and evil, order and law, and heroes to save the world. It is also a way of eliminating world hegemonism and establishing a new order without deterrent weapons. But as far as the film is concerned, the surprise is greater than the shortcoming.
From the story, "X-Men: Apocalypse" is indeed not a very good movie. The overall story structure is very old-fashioned, and Apocalypse is not the most popular type of villain right now. The current audience likes tangled villains and the "cute points" and versatility of the villains. But it is precisely because of the "old" and "conventional" in Tianqi that he is full of ambiguous metaphors that overlap with the biblical story, which makes popcorn movies like "X-Men" in the most intuitive sense. Possess an epic style.
Despite the problems of the film, it overwhelms the works of the Marvel Cinematic Universe in terms of scenes, and makes the DC Cinema Universe seem extremely stupid in terms of settings. If these characters in the film can be kneaded into a whole to serve the film's creativity, then "X-Men: Apocalypse" will open a brand new door to the movie theme of superheroes.
The scenes of the "X-Men" series are getting bigger and bigger, and director Brian Singh does his best to ensure this. Although this series can't always be blue and blue, it is definitely very exciting from the scene.
"X-Men: Apocalypse" is the most ambitious one of the series so far. This film has made a lot of effort in action scenes, but it is not as important as the previous works of Brian Singer
