"Welt am Draht" is A two-part science fiction film produced by Fassbender for the television station in 1973, adapted from Galloer’s 1964 novel "Simulacron-3", which was later remade by Hollywood into "The Thirteenth Floor" (The Thirteenth Floor), and deeply inspired the subsequent film series "The Matrix" with the same theme.
World on a Wire movie plot
"Welt am Draht" is A two-part science fiction film produced by Fassbender for the television station in 1973, adapted from Galloer’s 1964 novel "Simulacron-3", which was later remade by Hollywood into "The Thirteenth Floor" (The Thirteenth Floor), and deeply inspired the subsequent film series "The Matrix" with the same theme.
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Libby 2022-03-15 09:01:09
Another form of "Solaris". The lustful voyeuristic perspective alludes to the high-pressure political environment, the ubiquitous mirror confuses the boundary between reality and illusion, the awakening of a chess piece's self-consciousness is enough to disrupt the trader's hands, and useless and universal love once again rewrites the script of destiny. Finally, Hue The two people in the brightly-colored room are relatively surrounded by the crowd on the dark street. The two scenes switch back and forth, and the cold death of the flesh is exchanged for a bright and eternal life. /2018.7.21 Ullens revisited: noticed more details, from Plato’s cave theory to Lacan’s mirror theory, all emphasizing a certain “reality” reflected in the mirror. In addition, the curator reminded, Bach’s fugue is used in the whole movie for half of the time, as a dislocation of notes trying to prove the existence of God, and also a questioning of what is real and what is illusory.
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Fred Stiller: Here's a riddle I came across: imagine a drawing of a Greek warrior holding a spear looking to his right and taking a step. With a turtle going the same way. First, does that ring a bell? Ever seen such a drawing?
Franz Hahn: Me? What's this all about?
Fred Stiller: Vollmer left me this drawing. Does it mean anything to you?
Franz Hahn: Bizarre, if you ask me.
Fred Stiller: Bizarre, sure. Does it remind you of anything?
Franz Hahn: Maybe.
Fred Stiller: What?
Franz Hahn: Zeno.
Fred Stiller: Zeno?
Franz Hahn: Yes. Zeno's paradox. Achilles and the tortoise. Achilles tries to overtake the tortoise, but cannot. By the time he reaches where it was, the turtle has moved ahead.
Fred Stiller: What could the paradox mean to our work?
Franz Hahn: I'm only the psychologist for the creations. But, as I recall, the paradox is meant to show that movement is an illusion.
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Franz Hahn: I can imagine what Vollmer's shattering discovery was. I bet it had to do with his attitude towards the identity units we'd programmed in his computer. You remember how he called them "my children".
Fred Stiller: He was only joking.
Franz Hahn: You can't spend years feeding data into a computer that allows for the simulation of every aspect of human behavior without asking yourself if it might lead to the creation of something resembling human consciousness.