Near the school, near Carrefour, there is a DVD shop. The boss seems to be from Hokkien , and he insisted on recommending "Harry Potter" and " Lord of the Rings " to me . Seeing that I always smiled and waved my hands, I ignored me, and I secretly checked. The shop was visited by two Shanghai women in their 40s. They could see the shabbyness of my poor students, and they turned their eyes up and chatted on their own.
There are fans in the shop, and the banging sounds obliterate the music; but if you are careful, you can tell that the music is always Killing me Softly (with his Song). I found ""And " Lolita ", and then asked the boss: "Is there "Wild Orchid"?" The male boss looked at me and said, "It's sold out." There was a meaningful ambiguity in his eyes.
Freud used to yearn for Rome. In " The Interpretation of Dreams " he said: "I once dreamed that I saw the St. Angelo Bridge through the window of the car, but the train left immediately. I finally realized that I hadn't entered the city at all. "In another dream, he asked people where Rome was in the outskirts of another city. Literary point of view, he and this city will always be close to each other.
Each of us has a place that we yearn for but can't go. This place is the "home" defined by Sigmund Bowman. At the beginning of "Wild Orchid", the scene switched from the dust in the west to the clean and decent office buildings in New York, and then to the subtropical sexy beach of Rio de Janeiro, but it took a few minutes. This thunderstorm made Emily miss her original destination and changed her identity before forgetting it.
Vera is an orphan, never went to school, and once had a severe stuttering. Vera said: “There was a time when I had a father. Then he left and I stopped talking.” After Vera had money, she started playing a game of disguise.
Emily’s mother told Vera that Emily liked to eat well-cooked beef. In the exquisite restaurant in Rio de Janeiro, Emily told Vera: "Did you know? I hate beef most. But in order not to make my mother sad, I always say I like it."
Claudia puts himself in a man's clothes and puts on a beard, so as to feel what Vera's "total control" is like.
Just like them, people put on camouflage in order to find and discover; in order to get rid of the camouflage and find a way to escape, they finally lost their way and could only miss their previous appearance in the mirror. In order to "look for the traces of the wheel," one must look back; and the messy footsteps will obscure the original tire marks. So in the end, the "past" was reduced to a lie according to people's own wishes.
Rio de Janeiro is a city with surplus energy. It is very suitable for absurd love affair: people who should have passed by, but got together with boredom because of design; it seems that they should be together, but they always refuse because of fear of the past. Complete. After everything is over, one last glance at the sensual dancers and swing singers in the carnival, one almost suspects that this affair may just be their performance. Just like the story made up by Emily and Vera, burnout and boredom followed after the truth was revealed.
I remembered that in the small town where I lived, a similar story happened. The man and the woman came together because of an accident, and they went crazy amidst the whispers of the people in the small town, and went unruly and unruly. However, the love in this world is indeed rarely able to withstand speculation, because in the end everyone thought they would of course be together, they were separated by an accident.
This story should be a model.
This movie is full of erotic innocence.
I said this for nothing else. According to its original appearance, it was included in the "Sex Classics" by Joyo.com, which is juxtaposed with "A Preliminary Study of Couples' Wedding Night Skills", etc.; the educated people put it in the "World Eroticfilms Appreciation", and ""And" Ultimo tango a Parigi "and so on are called "erotic classics". But when I finally bought "Wild Orchid", I found that it turned out to be an abridged "clean book", which was suspiciously clean.
However, "Wild Orchid" without the erotic ambiguous lens is also very beautiful, if you can press the anger against the publisher and calm down. This is a Cinderella story through and through, and even the self-discussion is naturally inattentive. The director, like the characters, never lost his courage after putting on the movie in a gorgeous dress; it was not until later mistakes that the truth was revealed.
This is a funny world. The truth of the decoration is removed, and the rest is all lies.
