At the beginning of the film, two different eras are represented by a very natural lens transition, and as the story unfolds, the two protagonists complete a "time-out dialogue", showing women's love, marriage, children, and wealth. And the reflection and longing of fame and so on, thus completed a female symphony sonata
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Madonna Louise Ciccone did a lot of hard work to create the image of Wallis in the process of entering the social circle, dressed up and extravagantly, elegant and unique modern style clothing, packaging the film quite exquisitely, at the same time Wally The role of Si is obviously higher than that of a "material girl" who is extravagant and dedicated to love and worship. However, Madonna Louise Ciccone’s directorial skills are still ineffective, or the sculpting of hand marks is too obvious, or the film is more like a long MV. Through this film, you can get a glimpse of Madonna Louise Ciccone’s inner world as a woman
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When Madonna Louise Ciccone photographed the duchess of this horrifying love epic, she wanted to express women's independence, the importance of dress fashion, and the pressure of public opinion carried by the same woman. But unfortunately, as the director, Madonna Louise Ciccone did not grasp the essence of this story, and boldly challenged herself to adopt a parallel narrative in the style of " The Hours ", which turned out to be overwhelming but lacking. The only thing worthy of the audience in the whole film is that the film is eye-catching and pleasing in terms of sight and hearing
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Despite this, the film "WE" has also brought together a lot of efforts of Madonna Louise Ciccone, and blended into the exquisite and retro atmosphere, full of charm. However, after the film was released in Venice and the Toronto International Film Festival , the media received rave reviews: "incredibly stupid", "ridiculous dialogue and weak performance", and even critics called it "a disaster for the royal family."
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