The film takes reality and fantasy as the proposition, and closely follows the trend of the topic in 2001. However, when the whole film integrates mainstream romance themes and exploratory science fiction films, the two elements of romance and science fiction lack an organic combination, and the director has not been able to manage the themes well. Mixing makes people feel that they are not enough in both aspects. At the beginning of the film, the contradiction between the protagonist and the director of the company is inevitable; the interspersed "Do I kill Sophia" line pushes the plot style to the Hitchcock-style suspense manufacturing, but it neither adds entertainment nor is it right. The deepening of the film's theme is not helpful; the end of the film quickly solves all the mysteries with the simplest statement and question and answer, which not only deprives the audience of the fun of layering the cocoon, but also makes the film lack of aftertaste. The director's use of the episode is very unique, and some of the scenes are both magical and real. But the film's rhythm is not too tight, and some minor details are unnecessary. If you delete half an hour, it will definitely improve.
This is a meticulous moral teaching film, and some plots turn back to themselves like Escher’s contradictory stairs. It requires the audience to do some heavy thinking. There are more stories and the possibility of people watching it twice. Will want to analyze it; as the plot turns, and the wonderful chemical reaction between Chris and two completely different actresses, the entertainment of the film is beyond doubt; the film begins at the moment when David and Sofia spend the night together Many surprises were revealed. It seemed to be about David's life and love, but then it revealed a completely different direction and gave a full explanation. The only problem is that the ending explains the mechanism of confusion, rather than telling the audience what happened.
The film incorporates elements such as fragrant beauty, suspense, horror, medicine, science fiction, and time and space. The plot is tortuous and bizarre, retaining the depth and thinking of the original version, adding the suspenseful thriller of medical science fiction, taking into account business and art, and the trial film has brought a piece Shocked, the emotional ups and downs of the playboy Atango in the film have a great turning point. Although Cameron Diaz's role is not as good as Penelope, he is also quite eye-catching when he comes out.
