Tokyo Story evaluation action

2021-12-22 08:01
Yasujiro Ozu used the frontal switching of the screen, the strict adjustment of the size of the characters in the composition, and the simple and neat dialogue to show bluntly that the traditional large family system is irreversibly moving towards a slow disintegration process.
Yasujiro Ozu's "Tokyo Story", named directly after "Monument", also expresses the profound feelings of grief. For example, when the parents arrived in Tokyo, whether it was the eldest son or the daughter's performance, especially the daughter, she bought cheap dim sum, and because of fear of trouble, she sent her parents to Atami to stay in a cheap hotel (the scene before the scene is still a quiet harbor, but The next paragraph shows the restlessness of the hotel. The difference between the two forms a sharp contrast). After the death of the mother, the beautiful kimono and the fine linen that the mother left behind are also the ones that I am worried about. and the one drinking in the tavern. At the scene, three old friends from the old days were drinking and chatting together, because the father played by Chishu Ryu had no place to spend the night. Two of his friends wanted to accompany him to drink all night, and they also talked about the parents, but in the end, it was the father who had no place to spend the night. The situation is the best, and I am envied by two friends who have a family. The film does not directly express this strange criticism between people when the Japanese economy began to develop shortly after World War II. Drinking and chatting at home often shows that the old traditional family and concepts are gradually being disintegrated, and the feelings of grief are slowly revealed.  
"Tokyo Story" is a masterpiece of Yasujiro Ozu, the film tells about the alienation of Japanese family relations. The old couple thought their children had a good time in Tokyo, but they didn't expect that they were nothing but trying to make money. The trip to Tokyo did not bring happiness to the old couple. The old lady Zhou Ji died of illness shortly after returning home. In the end, the old man lonely watched the long shots of the ships in front of the door and was very moving.. 
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Extended Reading
  • Gilda 2022-03-22 09:02:01

    Most people rationalize their actions by focusing too much on their own little world, which inevitably hurts others. At first, I would define it as mediocre and narrow-minded evil, but now I gradually understand that this is part of human nature, and accepting it is.

  • Roslyn 2022-03-27 09:01:09

    The first Ozu Yasujiro. It clearly presents an unbiased truth, but it is more charming than real life, making people drink and get drunk. According to the limited accumulation, the core of self-consciousness such as "Diet and Men" meets Hirokazu Eda, and the tone of "Old Times" meets "Four Hundred Strikes", (but among all the films I have seen, this is the first film that can be interpreted" It is also likely to be the only movie that has a great sound, a great beauty, and an invisible elephant.)

Tokyo Story quotes

  • Sanpei Numata: Look, Hirayama. She resembles someone, doesn't she?

    Oden-ya no onna: There he goes again.

    Sanpei Numata: Don't you think so?

    Shukichi Hirayama: Well, who?

    Osamu Hattori: Yes, she does. That young geisha.

    Sanpei Numata: Oh, no! She was fatter. This one resembles my wife.

    Shukichi Hirayama: Yes, you're right.

    Sanpei Numata: See, especially here.

    Oden-ya no onna: Why don't you leave? You've had enough.

    Sanpei Numata: And both are bad-tempered.

    Oden-ya no onna: You're a real nuisance.

    Sanpei Numata: My wife says so too.

  • Shukichi Hirayama: Until I came up to Tokyo, I was under the impression that my son was doing better. But I've found that he is only a small neighborhood doctor. I know how you feel. I'm as dissatisfied as you are. But we can't expect too much from our children. Times have changed. We have to face it. That's what I think.

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