The part of the film directed by Bong Joon ho writes about the loneliness of urbanites in the virtual era. The story is simple and warm. It eliminates all the social structure of the city. After watching it, it makes people feel lonely
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The impression of the city in the film is cold, disgusting, and unfamiliar, completely exposing outsiders’ scrutiny labels. Gang Rui’s story retains his personal interest, and some of the overhead shots of indoor slumber talks have many traces of his previous works. The black and white independent film is extremely funny, and it can be regarded as a bright color in the sad and confused. The filming of "Merde" is shocking, Denis Lavant's twitching acting is even better, and a meaningful trial has a stronger metaphorical color. Bong Joon ho tells the story of a pure love version of an otaku in a proper manner
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"TOKYO! 》It is more suitable for those who do not love Japan. "Interior Design" implements the Japanese aesthetics of body artifacts. At first, it was an ambiguous and blurred atmosphere, but the sunshine and inspirational mood gradually amplified, until it became a story of self-realization. Depressed young people can take this paragraph as a neurotic reverie and comfort themselves. "Vibrating Tokyo" has a long and protracted rhythm. It is hard to imagine that it was made by Bong Joon ho, and it is easy to be regarded as the Japanese own obscenity. The whole film is a kind of thinking about the "home" life. The house of the old home man is like a mountain and spectacle, and all kinds of life and spiritual consumer goods are neatly arranged, forming a strong sense of oppression in the vision. Amidst the lights of Tokyo, the otakus busy in the house are also very touching. "Melder" is the most bizarre and violent 30 minutes in the film
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