This is an allegorical work in which the characters in the movie are driven into a nearly primitive background. Michel Hanneck uses the precise use of the screen space to create a dark primordial fear. While showing the collapse of human nature, it also shows how tenacious beliefs exist. "The Age of Wolf", like Bergman's "Shame", observes the collapse and complete disorder of a society after heavy pressure. Those rural landscapes become a reverence for the primitive after the disintegration of such a society in the screen space. The director uses an apocalyptic way to confront us with the deprived human life presented in the film. He provides an imaginative solution with a poetic salvation ending. The director believes that in disasters such as "911", people have experienced it on TV. What he considers is what people will do if all this happens.
Time of the Wolf evaluation action
2022-02-21 08:01
Extended Reading
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London 2022-02-21 08:01:50
The beginning of "fun game", after the construction of "scenery in the fog" and "roaming blindness", it is terrible and endless. At the end, it is like returning to the middle class of the city to sit and watch everything calm. The similarities between Bergman’s "Jackal Moment" Uman and Feng Xuduo are unforgettable, and in this "Wolf Clan Era", I can't get rid of the magic of my aunt. This actor is right in everything! Every time she appears on the camera, every reaction is natural, true and rich.
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Lawrence 2022-03-25 09:01:19
Force relaxation, especially group dramas, it's so boring... overhead is OK but can't use force. Maybe I don't care about Haneke who is not sharp and critical...
