Throne of Blood evaluation action

2021-12-22 08:01
The film is a metamorphosis, a refinement of the theme of "Macbeth", not an adaptation. It is a unique attempt, the work of a real film creator  .
Kurosawa borrowed the core of Shakespeare's story, and has been completely localized and completely deconstructed, giving it a brand-new connotation   . The film deconstructs the 17th century Scottish legend into a human tragedy of Eastern fatalism. The lingering resentment turned into a fog, the distorted and swollen greed turned into a murderous intent, and the obsessive obsession turned into a cage, finally driving the "Oriental Macbeth" on a path of self-destruction. In the film, heroism no longer exists, the characters have no origin, and causal destiny is the only law. In addition to digging deep into the ugliness of human nature, Akira Kurosawa has carried forward the stylized and localized "Noh" elements, making "Throne of Blood" an artistic charm comparable to the original   .
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Extended Reading
  • Mallory 2022-04-22 07:01:32

    A series of prophecies come true, but in fact, it is the promotion of inner desire, as well as the psychological suggestion and application of self. And even later, how could the woods move? How could the spider nest city be breached? How could I possibly fail? The combination of the unchangeable truth of nature and one's own destiny has also become a tragedy of self-deception, gradual madness and self-destruction! In the end, the forest really "moved", and the protagonist's inner world collapsed immediately, so the rebellion of the soldiers in the city became a matter of course! Like a cycle of fate. Referencing and connecting too deeply and too closely the movement and changes of the outer world with the struggles and desires of the inner world is the root of his subconscious belief in prophecy.

  • Madelyn 2021-12-22 08:01:06

    Screen recap, 35mm, Kurosawa Akira’s adaptation of Macbeth has made a deep-seated oriental transplant. It is not just desire that drives the character, but also a kind of Eastern fear that is difficult to protect itself. Perhaps it is to highlight this. Fear, the film avoids directly showing the two passages of killing kings and killing friends. Instead, it focuses the camera on the instigator and focuses on showing his inner fear; the song with the color of Buddhism's ordeal and reincarnation is also an oriental interpretation of this story

Throne of Blood quotes

  • [Washizu glances up from his drink and suddenly pales. He finds the ghost of Miki sitting there, staring blankly at his bowl of rice]

    Taketori Washizu: There he is again!

    [Hurling his cup to the floor, Washizu staggers backwards into the corner of the room, paralysed with fear. Breathing heavily, he snatches his sword, and advances towards the spirit]

    Taketori Washizu: If you hate me, why not draw your sword?

    [He charges at the seemingly empty space, swiping again and again with his sword]

  • Messenger: Fujimaki begs to surrender. In apology he offers to shave his head.

    Kuniharu Tsuzuki: His offer is not accepted. Noriyasu! Go to the North Castle. Kill the traitor!

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