In terms of subject matter, "Things We Lost in the Fire" is not very novel. Before Hollywood, there were classics like "Wife on Death Row". In the East, there are also Korean films "Miryang", Hong Kong film "Unforgettable", and Japanese drama "Long Chang". Holidays" and others follow this routine, and the theme has been brought to the screen again and again, which can also explain the universality of such an emotional existence and the psychology of people's desire to resonate. The way of telling the story of the film is also trying to restore the truth. Not only are the two people who were originally disliked getting closer to each other, it is convincing, but the psychology and performance of the two children when facing the intrusion of strangers are also portrayed. Very delicate and delicate
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The story of the film is delicate and moving but powerful. Female director Bill has always been known for his indifferent narrative. Although "Things We Lost in the Fire" still maintains this tone, Bill has broken through the style and added a lot of close-up shots, especially the eyes of the characters. Close-up of Harry Berry's sad and beautiful eyes, Del Toro's painful and stoic eyes, and two children's large eyes of innocence and fear, these shots are very impressive and, to a moderately exaggerated degree, successful. It enhances the mood and atmosphere of the film
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