"The Zero Theorem" has fantasy scenes and humorous plots. The geek setting in the film requires a certain amount of science fiction film reading to understand. The film is a dystopian movie, presenting a future society that is outwardly gorgeous to almost horrible. Gilliam continues his "dirty science fiction" aesthetics and achieves a magical image effect. Christopher Waltz's performance made the film more convincing to a large extent, and his "atypical neurotic performance" still worked. Matt Damon, who plays the role of manager, broke through himself and began to have the aura of a big boss. Tilda Swinton is no longer the "Queen" and plays a virtual character who only appears on the computer screen. The buck-tooth shape and humorous lines are full of jokes, and even suddenly turned into a bald head and talked about Rap, showing a talent for comedy. ()
.
The art and clothing of "The Zero Theorem" is quite excellent. It participates in the narrative with color matching and contrast. Various scenes together create a bizarre world. Everything is just right at that point of balance. The clothes in the film are not only based on The colors are matched, and the materials are also very particular. It is in line with the character's psychological state, and has made great contributions to shaping the character's profession, personality and mentality. In terms of actors, Dita Swinton's performance was very humorous and breakthrough, coupled with the soy sauce of Matt Damon, Ben Weishaw and others, did not lose the standard. In general, the film is a weird mess, with a unique fantasy style and bizarre visual spectacle ()
.
"The Zero Theorem" is not a special effects blockbuster focusing on visual enjoyment, but it is undoubtedly a movie suitable for "watching". Gilliam presents the dystopian world he has always been keen to describe in a brand-new style. The film looks colorful at first glance, but the well-built vulgar and cheap taste still flashes in every scene. The juxtaposition of cheap scenes and colorful colors makes it more and more prominent. The technological products from the industrial age and the information age mix with each other to create a strong sense of incongruity, with both steampunk and cyberpunk aesthetic characteristics. Gilliam lightly lifted the veil of the dystopian world through the inter-epochal contrasts that are full of everywhere in the film, and his aesthetic attainments are distinct and proficient ()
.
