"Tomorrow's War" is a neat three-act structure in terms of structure setting. The first act introduces the world view. It should be a key link to stand up the story and the characters, but it may be to improve the narrative efficiency. Every scene is rushing. Shoot. In the second act, the male protagonist sees that the future has become the daughter of the army commander, and his mood should be unexpected, confused, gratified, and proud. But the screenwriter’s ability to write lines is still not good, the two can only talk repeatedly, and Chris Pratt is acting like a piece of wood in this film. It should be a moving passage, but quite For embarrassment. The time in the third act returns to the present, and abruptly connects the father-son love partthat the film hasn't mentioned for an entire hour . The emotional clues jump around, making the audience unable to empathize. There are too many deja vu in the sci-fi setting of the film, which can be called large stitching monsters. The idea of traveling back to the past and ending the future war is far from "Terminator" to "Avengers 4". The setting of the future daughter as a commander has also been seen in "Interstellar". Of course, the appearance of the monster "Bai Cun Nail" cannot escape the shadow of the patriarch's "Alien".
The film has four major action scenes, which take place in corridors, caves, warships, and snow-capped mountains. The special effects during the period did not drop the link, but the tactics were quite hip. The art is also beautiful. The male protagonist and daughter are falling into the sea full of monsters in the skyrocketing fire. The scene is magnificent and even a little epic.
The movie is the best monster battle in the audience's memory. The action scenes and special effects are undoubtedly the best. The original monster design in the movie is very good, the scene production is very shocking, the action scenes are also very exciting, and the slow motion shakes to the end. The scene of alien hell is the highlight.
