An unremarkable extramarital affair was also filmed so thrillingly by the director Truffau. Although it is endlessly gentle in a fresh romance full of romance and desperation, only when I turn back to see a barren, desolate, empty-handed. "La Peau Douce" even pushed this desolation into a cruel, the male protagonist was eventually shot with a shotgun by his peaceful wife, and the quiet coffee shop was also full of battlefield smoke.
At the end of the film, one feels the powerful effect of fate. This destined constant miss seems to punish Leni’s infidelity, but after a gunshot and everything disappears, he sees a great irony-even if he committed the crime. Mistakes such as deception, infidelity, etc. should never be killed. If he gets through the phone, even if he can't get his wife's forgiveness, he can at least calm her anger, but when he turns around and asks for coins, a girl enters the phone hall and chats. He finally gets through the phone, but his wife has just walked down the stairs. Every viewer hoped that the maid who answered the phone could call back to his wife, but we just watched her disappear at the bottom of the stairs and the car went away on the street.
At the end of the Truffeau-style shooting, the film is true, calm, sensational, and unsentimental. Women have always been the director’s favorite performance targets. Not only are they beautiful, Truffeau’s heroine has a strong personality to control her own destiny. Whether it is a stewardess who quits actively or a woman who uses death to freeze love, they are more than vacillating men. Bright and eye-catching.
