In "Tystnaden", director Ernst Ingmar Bergman interpreted the "body" as the object of ultimate concern by interpreting the pair of symbolic characters Esther and Anna. "As the connotation of the sound of silence and the words of the great road.
Sister East is dying and full of hatred; sister Anna is healthy and strong, brave and confident, they are the typical representatives of slave morality and master morality respectively. Here, the hypocritical and declining reason and the real and powerful body express this intention on the stage of mutual confrontation-the source of the power of true eternal life, love and thought lies in the jubilant body. There is no distance between the true city of God and ordinary life, the love of desire, and the blood-filled body. The body is another form of faith. As a result, the body that was created, sacrificed, and written is overturned, and the vital body that is no longer absent is demonstrated in the sacred Tystnaden.
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