There are a lot of long follow-up shots in "The Raid2". The long hand-held camera lens keeps the actors fighting and the audience’s intuitive feelings in sync. In the small panorama, the actor’s reaction in the middle shot and the violent details in the close shot are cut into the small panorama. On the one hand, it can enrich the variety of shots and speed up the rhythm of editing. , On the other hand, it can also make up for the shortcomings of actors' kung fu.
Finally, in the car chase scene on the streets of Jakarta, Hong Kong's Luo Lixian 's team used the relay method of three photographers to pass the camera to create a cool long lens through the car. In the last fight scene of " The Big Boss " which pays tribute to Bruce Lee , from the unarmed fight to the use of claw knives, the scene of the shot also advances, and the middle shots used on the villain gradually increase until the villain is cut. After the protagonist, the scene has become a lot of close-up scenes.
