In terms of viewing, the film’s photography is real, bold and impressive, and the action design is impressive, especially the overall beauty of the scene. The fighting scenes of the film are fast-paced and the action density is high. The mature scene scheduling and photography of "Tom Yum Goong" sublimated Tony Jaa's gymnastic kung fu with real sense and beauty, established Tony Jaa's fighting aesthetics, and made up for the lack of narrative skills.
Action movies rarely involve "long shots", and the subject matter requires them to use fast editing to create dazzling rally scenes. The film designed a 3 minute 45 second long shot of a stair fight. This long shot gave Tony Jaa's slightly flat combat (relative to special effects production) a shocking effect without disrupting the continuity of the scene. The film still has a muddy and messy feeling in photography. Tony Jaa hits the third floor of the action scene, and the scene of shuttle into the room cannot enter the lens. In addition, most of the time, the camera lacks stability, which prevents the protagonist from being in the viewer's visual center.
