The Phantom of the Opera The background of the phantom of the opera

2021-11-20 08:01
As early as 1988, Andrew Roy Weber, the creator of the musical, wanted to use the original crew to make it into a movie, and Warner Bros. bought its copyright. However, in 1989, Weber and his wife Sarah Brightman had a relationship crisis and divorced in 1990. Sarah Brightman's resignation as the heroine caused the filming of the film to be repeatedly delayed. It was not until 2000 that Weber picked up this dream that had been hidden in his heart for many years again, but at this time many of the original actors were old, especially Crawford, who was nearly 60 years old, declined the role of Phantom. Due to the difficulty of casting, Warner Bros. was not optimistic about the prospects of "The Phantom of the Opera", and only paid $55 million, which made the director very embarrassed. It is for this reason that the crew boldly employs a group of young actors. There is no star support, but the director still confidently said that as long as half of the people who originally watched the musical watched the movie, the crew would have $3 billion in box office revenue. 
Although musicals and movies are essentially different, Weber is particularly satisfied with his new attempt, which took 18 years to make a movie. In addition to the well-known music in the original musical, the soundtrack of "The Phantom of the Opera" was also written by Andrew Roy Webber himself. 
Joe Schumacher served as the director and screenwriter of the movie "The Phantom of the Opera". Originally, the production company preferred Shekhar Kapur (Shekhar Kapur), but as early as the planning period of the film in the 90s, Joe Schumacher had become the most suitable director in Andrew Lloyd Webber’s mind. The candidate, at his insistence, Joe Schumacher finally took over the directorship. 
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Extended Reading
  • Gerhard 2022-03-27 09:01:06

    The plot is a bit cliché, but the song Music of Night never tires of listening to it. How come no one turned "The Mystery of the Yellow House" into a musical?

  • Savanna 2021-11-20 08:01:42

    8/10. The world is completely different from the silent film version. The music version chooses bright artificial light. As the circuit of the large chandelier is turned on, the reverse spatiotemporal montage transforms the dusty and broken theater into a luxurious multicolored costume, golden hall, and red curtain. Past. The silent film only has the stage-sensing chasing light highlighting the position of the characters in the pitch black, and the phantom's face is completely destroyed, rendering a strong Gothic horror. In contrast, the music version uses a half-face mask and wild singing to interpret the phantom, full of aristocratic temperament. When Christie follows the phantom into the secret door, white smoke rises and the underground passage full of candles, highlighting the details, is like a deep scene Palace-like gorgeous. The relationship between sound and picture is even more majestic. When the manager insists on not letting Christine be the protagonist, the cheerful opera and the horror of the Phantom chasing and killing the screen controller form a sound and picture opposition. On the stage where the Phantom took Christie, the flaming flame symbolizes fear. The image of the devil in the black cloak and black riding boots overwhelmed a musical angel in a white dress. The use of the pair sing in the Phantom’s night eavesdropping on the two confessions, sword fighting in the graveyard, and other scenes, creating the ups and downs of the Phantom’s inner melody. The details of the black rose are well received.

The Phantom of the Opera quotes

  • Carlotta: Why you spray on my chin all the time, huh?

  • AndreFirmin: We get our opera, she gets her limelight.

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